Antique Glass vs Naval
Where Antique Glass belongs to Benjamin Moore's range, Naval is a Sherwin-Williams color. Hue-wise, Antique Glass belongs to the green family and Naval to the blue family. Antique Glass (LRV 52) reflects noticeably more light than Naval (LRV 4), a difference of 48 points that becomes especially apparent in rooms with limited natural light. Antique Glass runs green while Naval is decidedly cool, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 55.3, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Antique Glass vs Naval Simulated Comparison
5 simulated room previews — drag the slider on each to see Antique Glass on one side and Naval on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Antique Glass comparisons
See how Antique Glass stacks up against other well-photographed colors across different brands and tones.
At LRV 69 vs 52, Ammonite is decisively the brighter choice.
White Dove reflects far more light (LRV 83 vs 52), opening up a space where Antique Glass encloses it.
Antique Glass reflects far more light (LRV 52 vs 6), opening up a space where Iron Ore encloses it.
Their light reflectance is nearly identical (LRV 52 vs 52), so neither reads brighter in a room.
At LRV 52 vs 30, Antique Glass is decisively the brighter choice.
With LRVs of 52 and 52, the two reflect almost the same amount of light.
A 8-point LRV gap (60 vs 52) makes Agreeable Gray the marginally brighter of the two.
Accessible Beige reads slightly lighter (LRV 58 vs 52), a gap that shows most in low-lit rooms.
Antique Glass reflects far more light (LRV 52 vs 27), opening up a space where Denim Drift encloses it.
A 9-point LRV gap (52 vs 43) makes Antique Glass the marginally brighter of the two.
Tranquil Dawn reads slightly lighter (LRV 55 vs 52), a gap that shows most in low-lit rooms.
Antique Glass reflects far more light (LRV 52 vs 13), opening up a space where Bancha encloses it.
Antique Glass reads slightly lighter (LRV 52 vs 44), a gap that shows most in low-lit rooms.
At LRV 84 vs 52, Pure White is decisively the brighter choice.
At LRV 52 vs 21, Antique Glass is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 52), opening up a space where Antique Glass encloses it.
Shoji White reflects far more light (LRV 74 vs 52), opening up a space where Antique Glass encloses it.
Snowbound reflects far more light (LRV 83 vs 52), opening up a space where Antique Glass encloses it.
Their light reflectance is nearly identical (LRV 52 vs 51), so neither reads brighter in a room.
Antique Glass reflects far more light (LRV 52 vs 12), opening up a space where Pewter Green encloses it.
Antique Glass reflects far more light (LRV 52 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 52), opening up a space where Antique Glass encloses it.
A 11-point LRV gap (52 vs 41) makes Antique Glass the marginally brighter of the two.
Antique Glass reflects far more light (LRV 52 vs 12), opening up a space where Vintage Vogue encloses it.
Antique Glass reads slightly lighter (LRV 52 vs 45), a gap that shows most in low-lit rooms.
At LRV 52 vs 31, Antique Glass is decisively the brighter choice.
At LRV 52 vs 7, Antique Glass is decisively the brighter choice.