Antiquity vs Ammonite
Where Antiquity belongs to Benjamin Moore's range, Ammonite is a Farrow & Ball color. Antiquity reads as beige-yellow, while Ammonite reads as beige-greige — two distinct hue families, not close cousins. Antiquity (LRV 83) reflects noticeably more light than Ammonite (LRV 69), a difference of 14 points that becomes especially apparent in rooms with limited natural light. Antiquity runs yellow while Ammonite is decidedly warm, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 14.9, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Antiquity vs Ammonite Simulated Comparison
5 simulated room previews — drag the slider on each to see Antiquity on one side and Ammonite on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Antiquity comparisons
See how Antiquity stacks up against other well-photographed colors across different brands and tones.

With LRVs of 83 and 83, the two reflect almost the same amount of light.

At LRV 83 vs 52, Antiquity is decisively the brighter choice.

At LRV 83 vs 30, Antiquity is decisively the brighter choice.

At LRV 83 vs 60, Antiquity is decisively the brighter choice.

Antiquity reflects far more light (LRV 83 vs 58), opening up a space where Accessible Beige encloses it.

Antiquity reflects far more light (LRV 83 vs 27), opening up a space where Denim Drift encloses it.

At LRV 83 vs 43, Antiquity is decisively the brighter choice.

Antiquity reflects far more light (LRV 83 vs 55), opening up a space where Tranquil Dawn encloses it.

Antiquity reflects far more light (LRV 83 vs 44), opening up a space where Hardwick White encloses it.

Their light reflectance is nearly identical (LRV 84 vs 83), so neither reads brighter in a room.

Antiquity reflects far more light (LRV 83 vs 66), opening up a space where Balboa Mist encloses it.

Antiquity reads slightly lighter (LRV 83 vs 74), a gap that shows most in low-lit rooms.

Antiquity reflects far more light (LRV 83 vs 12), opening up a space where Pewter Green encloses it.

Antiquity reflects far more light (LRV 83 vs 68), opening up a space where Skimming Stone encloses it.

Antiquity reflects far more light (LRV 83 vs 12), opening up a space where Vintage Vogue encloses it.

Antiquity reflects far more light (LRV 83 vs 45), opening up a space where Saybrook Sage encloses it.

At LRV 83 vs 31, Antiquity is decisively the brighter choice.

At LRV 83 vs 7, Antiquity is decisively the brighter choice.

At LRV 83 vs 24, Antiquity is decisively the brighter choice.

At LRV 83 vs 57, Antiquity is decisively the brighter choice.

A 11-point LRV gap (83 vs 72) makes Antiquity the marginally brighter of the two.


















