Approaching Autumn vs RAL 780-4 paint color comparison

Approaching Autumn vs RAL 780-4

Approaching AutumnBenjamin MoorevsRAL 780-4RAL EffectΔE 5.1Noticeable difference

Where Approaching Autumn belongs to Benjamin Moore's range, RAL 780-4 is a RAL Effect color. These are both beiges, so the question isn't which hue to choose — it's where within beige to land. They have nearly identical light reflectance values (46 vs 47), so they'll read as similarly Medium in most lighting conditions. The ΔE 5.1 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.

Color Details

Approaching Autumn
Benjamin Moore · CSP-1090
LRV45.7
BrandBenjamin Moore
NumberCSP-1090
UndertoneRed
TemperatureWarm
BrightnessMedium
RAL 780-4
RAL Effect · RAL 780-4
LRV46.6
BrandRAL Effect
NumberRAL 780-4
Undertone
Temperature
BrightnessMedium

Approaching Autumn vs RAL 780-4 Simulated Comparison

5 simulated room previews — drag the slider on each to see Approaching Autumn on one side and RAL 780-4 on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Approaching Autumn comparisons

See how Approaching Autumn stacks up against other well-photographed colors across different brands and tones.

Ammonite
Approaching Autumn
Ammonite
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46
Farrow & Ball
Ammonite
LRV 69

Ammonite reflects far more light (LRV 69 vs 46), opening up a space where Approaching Autumn encloses it.

White Dove
Approaching Autumn
White Dove
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46

At LRV 83 vs 46, White Dove is decisively the brighter choice.

Iron Ore
Approaching Autumn
Iron Ore
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46

At LRV 46 vs 6, Approaching Autumn is decisively the brighter choice.

Purbeck Stone
Approaching Autumn
Purbeck Stone
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46

Purbeck Stone reads slightly lighter (LRV 52 vs 46), a gap that shows most in low-lit rooms.

Evergreen Fog
Approaching Autumn
Evergreen Fog
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46

Approaching Autumn reflects far more light (LRV 46 vs 30), opening up a space where Evergreen Fog encloses it.

Mizzle
Approaching Autumn
Mizzle
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46
Farrow & Ball
Mizzle
LRV 52

A 6-point LRV gap (52 vs 46) makes Mizzle the marginally brighter of the two.

Agreeable Gray
Approaching Autumn
Agreeable Gray
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46

Agreeable Gray reflects far more light (LRV 60 vs 46), opening up a space where Approaching Autumn encloses it.

Accessible Beige
Approaching Autumn
Accessible Beige
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46

A 12-point LRV gap (58 vs 46) makes Accessible Beige the marginally brighter of the two.

Denim Drift
Approaching Autumn
Denim Drift
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46

At LRV 46 vs 27, Approaching Autumn is decisively the brighter choice.

French Gray
Approaching Autumn
French Gray
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46

With LRVs of 46 and 43, the two reflect almost the same amount of light.

Naval
Approaching Autumn
Naval
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46
Sherwin-Williams
Naval
LRV 4

Approaching Autumn reflects far more light (LRV 46 vs 4), opening up a space where Naval encloses it.

Tranquil Dawn
Approaching Autumn
Tranquil Dawn
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46

A 9-point LRV gap (55 vs 46) makes Tranquil Dawn the marginally brighter of the two.

Bancha
Approaching Autumn
Bancha
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46
Farrow & Ball
Bancha
LRV 13

At LRV 46 vs 13, Approaching Autumn is decisively the brighter choice.

Hardwick White
Approaching Autumn
Hardwick White
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46

Their light reflectance is nearly identical (LRV 46 vs 44), so neither reads brighter in a room.

Pure White
Approaching Autumn
Pure White
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46

Pure White reflects far more light (LRV 84 vs 46), opening up a space where Approaching Autumn encloses it.

Artichoke
Approaching Autumn
Artichoke
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46
Sherwin-Williams
Artichoke
LRV 21

Approaching Autumn reflects far more light (LRV 46 vs 21), opening up a space where Artichoke encloses it.

Balboa Mist
Approaching Autumn
Balboa Mist
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46

At LRV 66 vs 46, Balboa Mist is decisively the brighter choice.

Shoji White
Approaching Autumn
Shoji White
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46

At LRV 74 vs 46, Shoji White is decisively the brighter choice.

Snowbound
Approaching Autumn
Snowbound
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46
Sherwin-Williams
Snowbound
LRV 83

At LRV 83 vs 46, Snowbound is decisively the brighter choice.

Pigeon
Approaching Autumn
Pigeon
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46
Farrow & Ball
Pigeon
LRV 51

Pigeon reads slightly lighter (LRV 51 vs 46), a gap that shows most in low-lit rooms.

Pewter Green
Approaching Autumn
Pewter Green
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46

At LRV 46 vs 12, Approaching Autumn is decisively the brighter choice.

Duck Green
Approaching Autumn
Duck Green
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46

At LRV 46 vs 8, Approaching Autumn is decisively the brighter choice.

Skimming Stone
Approaching Autumn
Skimming Stone
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46

At LRV 68 vs 46, Skimming Stone is decisively the brighter choice.

Dix Blue
Approaching Autumn
Dix Blue
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46
Farrow & Ball
Dix Blue
LRV 41

Approaching Autumn reads slightly lighter (LRV 46 vs 41), a gap that shows most in low-lit rooms.

Hicks' Blue
Approaching Autumn
Hicks' Blue
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46

Approaching Autumn vs Hicks' Blue

Slaked Lime Deep
Approaching Autumn
Slaked Lime Deep

Approaching Autumn vs Slaked Lime Deep

Vintage Vogue
Approaching Autumn
Vintage Vogue
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46

At LRV 46 vs 12, Approaching Autumn is decisively the brighter choice.

Livid
Approaching Autumn
Livid
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46

Approaching Autumn vs Livid

Saybrook Sage
Approaching Autumn
Saybrook Sage
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46

Their light reflectance is nearly identical (LRV 46 vs 45), so neither reads brighter in a room.

Pale Green
Approaching Autumn
Pale Green
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46
RAL ClassicClassic
Pale Green
LRV 31

Approaching Autumn reflects far more light (LRV 46 vs 31), opening up a space where Pale Green encloses it.