Ashwood vs Ammonite
Ashwood is a Benjamin Moore color while Ammonite comes from Farrow & Ball. These are both beige-greiges, so the question isn't which hue to choose — it's where within beige-greige to land. With LRVs of 67 and 69, they'll behave almost identically in terms of how much light they reflect back into a room. The tonal difference — Ashwood's yellow character against Ammonite's warm — becomes most visible against white trim or in morning light. At ΔE 3.2, the difference is perceptible but not dramatic — the two can work harmoniously in the same space. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Ashwood vs Ammonite in Real Spaces
1 real room side by side. Ashwood and Ammonite are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Kitchen Cabinets
On cabinetry, undertone and temperature become more pronounced against countertops and hardware. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Color Details
Ashwood vs Ammonite Simulated Comparison
5 simulated room previews — drag the slider on each to see Ashwood on one side and Ammonite on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Ashwood comparisons
See how Ashwood stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 67), opening up a space where Ashwood encloses it.
At LRV 67 vs 52, Ashwood is decisively the brighter choice.
At LRV 67 vs 30, Ashwood is decisively the brighter choice.
A 7-point LRV gap (67 vs 60) makes Ashwood the marginally brighter of the two.
Ashwood reads slightly lighter (LRV 67 vs 58), a gap that shows most in low-lit rooms.
Ashwood reflects far more light (LRV 67 vs 27), opening up a space where Denim Drift encloses it.
At LRV 67 vs 43, Ashwood is decisively the brighter choice.
Ashwood reflects far more light (LRV 67 vs 55), opening up a space where Tranquil Dawn encloses it.
Ashwood reflects far more light (LRV 67 vs 44), opening up a space where Hardwick White encloses it.
At LRV 84 vs 67, Pure White is decisively the brighter choice.
With LRVs of 67 and 66, the two reflect almost the same amount of light.
Shoji White reads slightly lighter (LRV 74 vs 67), a gap that shows most in low-lit rooms.
Ashwood reflects far more light (LRV 67 vs 12), opening up a space where Pewter Green encloses it.
With LRVs of 68 and 67, the two reflect almost the same amount of light.
Ashwood reflects far more light (LRV 67 vs 12), opening up a space where Vintage Vogue encloses it.
Ashwood reflects far more light (LRV 67 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 67 vs 31, Ashwood is decisively the brighter choice.
At LRV 67 vs 7, Ashwood is decisively the brighter choice.
At LRV 67 vs 24, Ashwood is decisively the brighter choice.
A 10-point LRV gap (67 vs 57) makes Ashwood the marginally brighter of the two.
A 5-point LRV gap (72 vs 67) makes Just Walnut the marginally brighter of the two.