Atmospheric vs Cityscape
Where Atmospheric belongs to Benjamin Moore's range, Cityscape is a Jotun color. Atmospheric reads as blue-grey, while Cityscape reads as green-grey — two distinct hue families, not close cousins. Atmospheric (LRV 33) reflects noticeably more light than Cityscape (LRV 30), a difference of 3 points that becomes especially apparent in rooms with limited natural light. Atmospheric runs green and blue while Cityscape is decidedly neutral, which means they'll respond very differently to warm vs cool light sources. The ΔE 3.7 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Atmospheric vs Cityscape in Real Spaces
3 real rooms side by side. Atmospheric and Cityscape are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The temperature contrast between Cityscape and Atmospheric is what sets these apart most in this context.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. Cityscape brings more warmth to the space, while Atmospheric keeps things cooler and crisper.
Kitchen Cabinets
Kitchen cabinets are constantly compared against adjacent materials, which means subtle differences between these two become much more visible. Cityscape brings more warmth to the space, while Atmospheric keeps things cooler and crisper.
Color Details
Atmospheric vs Cityscape Simulated Comparison
5 simulated room previews — drag the slider on each to see Atmospheric on one side and Cityscape on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Atmospheric comparisons
See how Atmospheric stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 33, White Dove is decisively the brighter choice.
Ammonite reflects far more light (LRV 69 vs 33), opening up a space where Atmospheric encloses it.
At LRV 33 vs 6, Atmospheric is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 33), opening up a space where Atmospheric encloses it.
With LRVs of 33 and 30, the two reflect almost the same amount of light.
At LRV 52 vs 33, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 33), opening up a space where Atmospheric encloses it.
At LRV 58 vs 33, Accessible Beige is decisively the brighter choice.
A 6-point LRV gap (33 vs 27) makes Atmospheric the marginally brighter of the two.
French Gray reads slightly lighter (LRV 43 vs 33), a gap that shows most in low-lit rooms.
Atmospheric reflects far more light (LRV 33 vs 4), opening up a space where Naval encloses it.
At LRV 55 vs 33, Tranquil Dawn is decisively the brighter choice.
At LRV 33 vs 13, Atmospheric is decisively the brighter choice.
A 11-point LRV gap (44 vs 33) makes Hardwick White the marginally brighter of the two.
Pure White reflects far more light (LRV 84 vs 33), opening up a space where Atmospheric encloses it.
Atmospheric reads slightly lighter (LRV 33 vs 21), a gap that shows most in low-lit rooms.
At LRV 66 vs 33, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 33, Shoji White is decisively the brighter choice.
At LRV 83 vs 33, Snowbound is decisively the brighter choice.
At LRV 33 vs 12, Atmospheric is decisively the brighter choice.
At LRV 68 vs 33, Skimming Stone is decisively the brighter choice.
Dix Blue reads slightly lighter (LRV 41 vs 33), a gap that shows most in low-lit rooms.
Calamine reflects far more light (LRV 68 vs 33), opening up a space where Atmospheric encloses it.
Atmospheric reads slightly lighter (LRV 33 vs 25), a gap that shows most in low-lit rooms.
At LRV 33 vs 12, Atmospheric is decisively the brighter choice.
At LRV 45 vs 33, Saybrook Sage is decisively the brighter choice.
With LRVs of 33 and 31, the two reflect almost the same amount of light.
Atmospheric reflects far more light (LRV 33 vs 7), opening up a space where Pine Needle encloses it.
Atmospheric reads slightly lighter (LRV 33 vs 24), a gap that shows most in low-lit rooms.
Guilford Green reflects far more light (LRV 57 vs 33), opening up a space where Atmospheric encloses it.