Berry Wine vs Ming Jade
Both from Benjamin Moore's palette. Hue-wise, Berry Wine belongs to the pink-red family and Ming Jade to the blue family. Berry Wine (LRV 21) reflects noticeably more light than Ming Jade (LRV 14), a difference of 7 points that becomes especially apparent in rooms with limited natural light. Berry Wine runs red while Ming Jade is decidedly green and blue, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 90.4, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Berry Wine vs Ming Jade Simulated Comparison
5 simulated room previews — drag the slider on each to see Berry Wine on one side and Ming Jade on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Berry Wine comparisons
See how Berry Wine stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 21), opening up a space where Berry Wine encloses it.
At LRV 69 vs 21, Ammonite is decisively the brighter choice.
Berry Wine reflects far more light (LRV 21 vs 6), opening up a space where Iron Ore encloses it.
At LRV 52 vs 21, Purbeck Stone is decisively the brighter choice.
A 10-point LRV gap (30 vs 21) makes Evergreen Fog the marginally brighter of the two.
Mizzle reflects far more light (LRV 52 vs 21), opening up a space where Berry Wine encloses it.
At LRV 60 vs 21, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 21), opening up a space where Berry Wine encloses it.
Denim Drift reads slightly lighter (LRV 27 vs 21), a gap that shows most in low-lit rooms.
At LRV 43 vs 21, French Gray is decisively the brighter choice.
At LRV 21 vs 4, Berry Wine is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 21), opening up a space where Berry Wine encloses it.
Berry Wine reads slightly lighter (LRV 21 vs 13), a gap that shows most in low-lit rooms.
Hardwick White reflects far more light (LRV 44 vs 21), opening up a space where Berry Wine encloses it.
At LRV 84 vs 21, Pure White is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 21 vs 21), so neither reads brighter in a room.
Balboa Mist reflects far more light (LRV 66 vs 21), opening up a space where Berry Wine encloses it.
Shoji White reflects far more light (LRV 74 vs 21), opening up a space where Berry Wine encloses it.
Snowbound reflects far more light (LRV 83 vs 21), opening up a space where Berry Wine encloses it.
Berry Wine reads slightly lighter (LRV 21 vs 12), a gap that shows most in low-lit rooms.
Skimming Stone reflects far more light (LRV 68 vs 21), opening up a space where Berry Wine encloses it.
At LRV 41 vs 21, Dix Blue is decisively the brighter choice.
At LRV 68 vs 21, Calamine is decisively the brighter choice.
A 4-point LRV gap (25 vs 21) makes Treron the marginally brighter of the two.
Berry Wine reads slightly lighter (LRV 21 vs 12), a gap that shows most in low-lit rooms.
Saybrook Sage reflects far more light (LRV 45 vs 21), opening up a space where Berry Wine encloses it.
A 11-point LRV gap (31 vs 21) makes Pale Green the marginally brighter of the two.
At LRV 21 vs 7, Berry Wine is decisively the brighter choice.
A 4-point LRV gap (24 vs 21) makes Cement grey the marginally brighter of the two.
At LRV 57 vs 21, Guilford Green is decisively the brighter choice.