Blue Dusk vs Evergreen Fog

Where Blue Dusk belongs to Benjamin Moore's range, Evergreen Fog is a Sherwin-Williams color. Hue-wise, Blue Dusk belongs to the blue-grey family and Evergreen Fog to the green-grey family. Evergreen Fog (LRV 30) reflects noticeably more light than Blue Dusk (LRV 24), a difference of 6 points that becomes especially apparent in rooms with limited natural light. Blue Dusk runs blue while Evergreen Fog is decidedly neutral, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 16.9, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.

Blue Dusk vs Evergreen Fog in Real Spaces

1 real room side by side. Seeing Blue Dusk and Evergreen Fog in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.

Bedroom

The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. Evergreen Fog reads slightly lighter here — a subtle but real difference in how open the space feels.

Blue DuskBenjamin Moore Blue Dusk bedroom color review

@rocalee70

Evergreen FogBedroom painted in Sherwin-Williams Evergreen Fog

@mybudgetrecipes

Color Details

Blue Dusk
Benjamin Moore · 1644
Hex#6E8791
LRV24.0
BrandBenjamin Moore
Number1644
UndertoneBlue
TemperatureCool
BrightnessDark
Evergreen Fog
Sherwin-Williams · 9130
Hex#95978A
LRV30.4
BrandSherwin-Williams
Number9130
Undertone
TemperatureNeutral
BrightnessMedium

Blue Dusk vs Evergreen Fog Simulated Comparison

5 simulated room previews — drag the slider on each to see Blue Dusk on one side and Evergreen Fog on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Blue Dusk comparisons

See how Blue Dusk stacks up against other well-photographed colors across different brands and tones.

Blue Dusk
White Dove
Blue Dusk
White Dove
Benjamin Moore
Blue Dusk
1644 · LRV 24

White Dove reflects far more light (LRV 83 vs 24), opening up a space where Blue Dusk encloses it.

Blue Dusk
Ammonite
Blue Dusk
Ammonite
Benjamin Moore
Blue Dusk
1644 · LRV 24
Farrow & Ball
Ammonite
LRV 69

At LRV 69 vs 24, Ammonite is decisively the brighter choice.

Blue Dusk
Iron Ore
Blue Dusk
Iron Ore
Benjamin Moore
Blue Dusk
1644 · LRV 24

Blue Dusk reflects far more light (LRV 24 vs 6), opening up a space where Iron Ore encloses it.

Blue Dusk
Purbeck Stone
Blue Dusk
Purbeck Stone
Benjamin Moore
Blue Dusk
1644 · LRV 24

At LRV 52 vs 24, Purbeck Stone is decisively the brighter choice.

Blue Dusk
Mizzle
Blue Dusk
Mizzle
Benjamin Moore
Blue Dusk
1644 · LRV 24
Farrow & Ball
Mizzle
LRV 52

Mizzle reflects far more light (LRV 52 vs 24), opening up a space where Blue Dusk encloses it.

Blue Dusk
Agreeable Gray
Blue Dusk
Agreeable Gray
Benjamin Moore
Blue Dusk
1644 · LRV 24

At LRV 60 vs 24, Agreeable Gray is decisively the brighter choice.

Blue Dusk
Accessible Beige
Blue Dusk
Accessible Beige
Benjamin Moore
Blue Dusk
1644 · LRV 24

Accessible Beige reflects far more light (LRV 58 vs 24), opening up a space where Blue Dusk encloses it.

Blue Dusk
Denim Drift
Blue Dusk vs Denim Drift
Blue Dusk
Denim Drift
Benjamin Moore
Blue Dusk
1644 · LRV 24

With LRVs of 27 and 24, the two reflect almost the same amount of light.

Blue Dusk
French Gray
Blue Dusk
French Gray
Benjamin Moore
Blue Dusk
1644 · LRV 24

At LRV 43 vs 24, French Gray is decisively the brighter choice.

Blue Dusk
Naval
Blue Dusk
Naval
Benjamin Moore
Blue Dusk
1644 · LRV 24
Sherwin-Williams
Naval
LRV 4

At LRV 24 vs 4, Blue Dusk is decisively the brighter choice.

Blue Dusk
Tranquil Dawn
Blue Dusk
Tranquil Dawn
Benjamin Moore
Blue Dusk
1644 · LRV 24

Tranquil Dawn reflects far more light (LRV 55 vs 24), opening up a space where Blue Dusk encloses it.

Blue Dusk
Bancha
Blue Dusk
Bancha
Benjamin Moore
Blue Dusk
1644 · LRV 24
Farrow & Ball
Bancha
LRV 13

Blue Dusk reads slightly lighter (LRV 24 vs 13), a gap that shows most in low-lit rooms.

Blue Dusk
Hardwick White
Blue Dusk
Hardwick White
Benjamin Moore
Blue Dusk
1644 · LRV 24

Hardwick White reflects far more light (LRV 44 vs 24), opening up a space where Blue Dusk encloses it.

Blue Dusk
Pure White
Blue Dusk
Pure White
Benjamin Moore
Blue Dusk
1644 · LRV 24

At LRV 84 vs 24, Pure White is decisively the brighter choice.

Blue Dusk
Artichoke
Blue Dusk
Artichoke
Benjamin Moore
Blue Dusk
1644 · LRV 24
Sherwin-Williams
Artichoke
LRV 21

Their light reflectance is nearly identical (LRV 24 vs 21), so neither reads brighter in a room.

Balboa Mist
Blue Dusk
Balboa Mist
Blue Dusk
Benjamin Moore
Blue Dusk
1644 · LRV 24

Balboa Mist reflects far more light (LRV 66 vs 24), opening up a space where Blue Dusk encloses it.

Blue Dusk
Shoji White
Blue Dusk
Shoji White
Benjamin Moore
Blue Dusk
1644 · LRV 24

Shoji White reflects far more light (LRV 74 vs 24), opening up a space where Blue Dusk encloses it.

Blue Dusk
Snowbound
Blue Dusk
Snowbound
Benjamin Moore
Blue Dusk
1644 · LRV 24
Sherwin-Williams
Snowbound
LRV 83

Snowbound reflects far more light (LRV 83 vs 24), opening up a space where Blue Dusk encloses it.

Blue Dusk
Pewter Green
Blue Dusk
Pewter Green
Benjamin Moore
Blue Dusk
1644 · LRV 24

Blue Dusk reflects far more light (LRV 24 vs 12), opening up a space where Pewter Green encloses it.

Blue Dusk
Skimming Stone
Blue Dusk
Skimming Stone
Benjamin Moore
Blue Dusk
1644 · LRV 24

Skimming Stone reflects far more light (LRV 68 vs 24), opening up a space where Blue Dusk encloses it.

Blue Dusk
Dix Blue
Blue Dusk
Dix Blue
Benjamin Moore
Blue Dusk
1644 · LRV 24
Farrow & Ball
Dix Blue
LRV 41

At LRV 41 vs 24, Dix Blue is decisively the brighter choice.

Blue Dusk
Calamine
Blue Dusk
Calamine
Benjamin Moore
Blue Dusk
1644 · LRV 24
Farrow & Ball
Calamine
LRV 68

At LRV 68 vs 24, Calamine is decisively the brighter choice.

Blue Dusk
Treron
Blue Dusk
Treron
Benjamin Moore
Blue Dusk
1644 · LRV 24
Farrow & Ball
Treron
LRV 25

Their light reflectance is nearly identical (LRV 25 vs 24), so neither reads brighter in a room.

Blue Dusk
Vintage Vogue
Blue Dusk
Vintage Vogue
Benjamin Moore
Blue Dusk
1644 · LRV 24

Blue Dusk reflects far more light (LRV 24 vs 12), opening up a space where Vintage Vogue encloses it.

Blue Dusk
Saybrook Sage
Blue Dusk
Saybrook Sage
Benjamin Moore
Blue Dusk
1644 · LRV 24

Saybrook Sage reflects far more light (LRV 45 vs 24), opening up a space where Blue Dusk encloses it.

Blue Dusk
Pale Green
Blue Dusk
Pale Green
Benjamin Moore
Blue Dusk
1644 · LRV 24
RAL ClassicClassic
Pale Green
LRV 31

A 7-point LRV gap (31 vs 24) makes Pale Green the marginally brighter of the two.

Blue Dusk
Pine Needle
Blue Dusk
Pine Needle
Benjamin Moore
Blue Dusk
1644 · LRV 24

At LRV 24 vs 7, Blue Dusk is decisively the brighter choice.

Blue Dusk
Cement grey
Blue Dusk
Cement grey
Benjamin Moore
Blue Dusk
1644 · LRV 24
RAL ClassicClassic
Cement grey
LRV 24

Their light reflectance is nearly identical (LRV 24 vs 24), so neither reads brighter in a room.

Blue Dusk
Guilford Green
Blue Dusk
Guilford Green
Benjamin Moore
Blue Dusk
1644 · LRV 24

At LRV 57 vs 24, Guilford Green is decisively the brighter choice.

Blue Dusk
Just Walnut
Blue Dusk
Just Walnut
Benjamin Moore
Blue Dusk
1644 · LRV 24

At LRV 72 vs 24, Just Walnut is decisively the brighter choice.