Blue Flower vs Calamine
Where Blue Flower belongs to Benjamin Moore's range, Calamine is a Farrow & Ball color. Hue-wise, Blue Flower belongs to the blue family and Calamine to the pink-red family. Calamine (LRV 68) reflects noticeably more light than Blue Flower (LRV 65), a difference of 3 points that becomes especially apparent in rooms with limited natural light. Blue Flower runs blue while Calamine is decidedly warm, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 21.8, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Blue Flower vs Calamine Simulated Comparison
5 simulated room previews — drag the slider on each to see Blue Flower on one side and Calamine on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Blue Flower comparisons
See how Blue Flower stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 65), opening up a space where Blue Flower encloses it.
A 4-point LRV gap (69 vs 65) makes Ammonite the marginally brighter of the two.
Blue Flower reflects far more light (LRV 65 vs 6), opening up a space where Iron Ore encloses it.
At LRV 65 vs 52, Blue Flower is decisively the brighter choice.
At LRV 65 vs 30, Blue Flower is decisively the brighter choice.
Blue Flower reflects far more light (LRV 65 vs 52), opening up a space where Mizzle encloses it.
A 4-point LRV gap (65 vs 60) makes Blue Flower the marginally brighter of the two.
Blue Flower reads slightly lighter (LRV 65 vs 58), a gap that shows most in low-lit rooms.
Blue Flower reflects far more light (LRV 65 vs 27), opening up a space where Denim Drift encloses it.
At LRV 65 vs 43, Blue Flower is decisively the brighter choice.
At LRV 65 vs 4, Blue Flower is decisively the brighter choice.
Blue Flower reads slightly lighter (LRV 65 vs 55), a gap that shows most in low-lit rooms.
Blue Flower reflects far more light (LRV 65 vs 13), opening up a space where Bancha encloses it.
Blue Flower reflects far more light (LRV 65 vs 44), opening up a space where Hardwick White encloses it.
At LRV 84 vs 65, Pure White is decisively the brighter choice.
At LRV 65 vs 21, Blue Flower is decisively the brighter choice.
With LRVs of 66 and 65, the two reflect almost the same amount of light.
Shoji White reads slightly lighter (LRV 74 vs 65), a gap that shows most in low-lit rooms.
Snowbound reflects far more light (LRV 83 vs 65), opening up a space where Blue Flower encloses it.
Blue Flower reflects far more light (LRV 65 vs 12), opening up a space where Pewter Green encloses it.
Skimming Stone reads slightly lighter (LRV 68 vs 65), a gap that shows most in low-lit rooms.
At LRV 65 vs 41, Blue Flower is decisively the brighter choice.
At LRV 65 vs 25, Blue Flower is decisively the brighter choice.
Blue Flower reflects far more light (LRV 65 vs 12), opening up a space where Vintage Vogue encloses it.
Blue Flower reflects far more light (LRV 65 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 65 vs 31, Blue Flower is decisively the brighter choice.
At LRV 65 vs 7, Blue Flower is decisively the brighter choice.
At LRV 65 vs 24, Blue Flower is decisively the brighter choice.
A 7-point LRV gap (65 vs 57) makes Blue Flower the marginally brighter of the two.
A 7-point LRV gap (72 vs 65) makes Just Walnut the marginally brighter of the two.