Blue Springs vs Ammonite
Blue Springs (Benjamin Moore) and Ammonite (Farrow & Ball) come from different manufacturers. Blue Springs reads as blue-grey, while Ammonite reads as beige-greige — two distinct hue families, not close cousins. The 20-point LRV gap — 69 for Ammonite vs 49 for Blue Springs — means Ammonite will open up a space more effectively. Where Blue Springs leans blue, Ammonite reads warm — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 13.0 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Blue Springs vs Ammonite Simulated Comparison
5 simulated room previews — drag the slider on each to see Blue Springs on one side and Ammonite on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Blue Springs comparisons
See how Blue Springs stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 49, White Dove is decisively the brighter choice.
At LRV 49 vs 6, Blue Springs is decisively the brighter choice.
Purbeck Stone reads slightly lighter (LRV 52 vs 49), a gap that shows most in low-lit rooms.
Blue Springs reflects far more light (LRV 49 vs 30), opening up a space where Evergreen Fog encloses it.
Their light reflectance is nearly identical (LRV 52 vs 49), so neither reads brighter in a room.
Agreeable Gray reads slightly lighter (LRV 60 vs 49), a gap that shows most in low-lit rooms.
A 9-point LRV gap (58 vs 49) makes Accessible Beige the marginally brighter of the two.
At LRV 49 vs 27, Blue Springs is decisively the brighter choice.
Blue Springs reads slightly lighter (LRV 49 vs 43), a gap that shows most in low-lit rooms.
Blue Springs reflects far more light (LRV 49 vs 4), opening up a space where Naval encloses it.
A 6-point LRV gap (55 vs 49) makes Tranquil Dawn the marginally brighter of the two.
At LRV 49 vs 13, Blue Springs is decisively the brighter choice.
A 5-point LRV gap (49 vs 44) makes Blue Springs the marginally brighter of the two.
Pure White reflects far more light (LRV 84 vs 49), opening up a space where Blue Springs encloses it.
Blue Springs reflects far more light (LRV 49 vs 21), opening up a space where Artichoke encloses it.
At LRV 66 vs 49, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 49, Shoji White is decisively the brighter choice.
At LRV 83 vs 49, Snowbound is decisively the brighter choice.
At LRV 49 vs 12, Blue Springs is decisively the brighter choice.
At LRV 68 vs 49, Skimming Stone is decisively the brighter choice.
Blue Springs reads slightly lighter (LRV 49 vs 41), a gap that shows most in low-lit rooms.
Calamine reflects far more light (LRV 68 vs 49), opening up a space where Blue Springs encloses it.
Blue Springs reflects far more light (LRV 49 vs 25), opening up a space where Treron encloses it.
At LRV 49 vs 12, Blue Springs is decisively the brighter choice.
A 3-point LRV gap (49 vs 45) makes Blue Springs the marginally brighter of the two.
Blue Springs reflects far more light (LRV 49 vs 31), opening up a space where Pale Green encloses it.
Blue Springs reflects far more light (LRV 49 vs 7), opening up a space where Pine Needle encloses it.
Blue Springs reflects far more light (LRV 49 vs 24), opening up a space where Cement grey encloses it.
Guilford Green reads slightly lighter (LRV 57 vs 49), a gap that shows most in low-lit rooms.
Just Walnut reflects far more light (LRV 72 vs 49), opening up a space where Blue Springs encloses it.