Brickyard Clay vs Roycroft Adobe
Where Brickyard Clay belongs to Benjamin Moore's range, Roycroft Adobe is a Sherwin-Williams color. Both sit in the pink-red family, which is useful context if you're narrowing within a single hue direction. They have nearly identical light reflectance values (20 vs 18), so they'll read as similarly Dark in most lighting conditions. Brickyard Clay runs red while Roycroft Adobe is decidedly warm, which means they'll respond very differently to warm vs cool light sources. The ΔE 4.3 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Brickyard Clay vs Roycroft Adobe Simulated Comparison
5 simulated room previews — drag the slider on each to see Brickyard Clay on one side and Roycroft Adobe on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Brickyard Clay comparisons
See how Brickyard Clay stacks up against other well-photographed colors across different brands and tones.
Ammonite reflects far more light (LRV 69 vs 20), opening up a space where Brickyard Clay encloses it.
At LRV 83 vs 20, White Dove is decisively the brighter choice.
At LRV 20 vs 6, Brickyard Clay is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 20), opening up a space where Brickyard Clay encloses it.
Evergreen Fog reads slightly lighter (LRV 30 vs 20), a gap that shows most in low-lit rooms.
At LRV 52 vs 20, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 20), opening up a space where Brickyard Clay encloses it.
At LRV 58 vs 20, Accessible Beige is decisively the brighter choice.
A 7-point LRV gap (27 vs 20) makes Denim Drift the marginally brighter of the two.
French Gray reflects far more light (LRV 43 vs 20), opening up a space where Brickyard Clay encloses it.
Brickyard Clay reflects far more light (LRV 20 vs 4), opening up a space where Naval encloses it.
At LRV 55 vs 20, Tranquil Dawn is decisively the brighter choice.
A 6-point LRV gap (20 vs 13) makes Brickyard Clay the marginally brighter of the two.
At LRV 44 vs 20, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 20), opening up a space where Brickyard Clay encloses it.
With LRVs of 21 and 20, the two reflect almost the same amount of light.
At LRV 66 vs 20, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 20, Shoji White is decisively the brighter choice.
At LRV 83 vs 20, Snowbound is decisively the brighter choice.
Pigeon reflects far more light (LRV 51 vs 20), opening up a space where Brickyard Clay encloses it.
A 8-point LRV gap (20 vs 12) makes Brickyard Clay the marginally brighter of the two.
A 11-point LRV gap (20 vs 8) makes Brickyard Clay the marginally brighter of the two.
At LRV 68 vs 20, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 20), opening up a space where Brickyard Clay encloses it.
A 8-point LRV gap (20 vs 12) makes Brickyard Clay the marginally brighter of the two.
At LRV 45 vs 20, Saybrook Sage is decisively the brighter choice.
Pale Green reads slightly lighter (LRV 31 vs 20), a gap that shows most in low-lit rooms.