Burnt Cinnamon vs Artichoke
Burnt Cinnamon is a Benjamin Moore color while Artichoke comes from Sherwin-Williams. Burnt Cinnamon reads as beige-pink, while Artichoke reads as grey — two distinct hue families, not close cousins. At LRV 21 vs 9, Artichoke will read as the brighter of the two — a 12-point gap that matters most in north-facing or low-light rooms. The tonal difference — Burnt Cinnamon's red character against Artichoke's neutral — becomes most visible against white trim or in morning light. At ΔE 33.4, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Burnt Cinnamon vs Artichoke in Real Spaces
1 real room side by side. Seeing Burnt Cinnamon and Artichoke in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
House
At full exterior scale, the difference between these two colors becomes much easier to judge than from a small chip. The LRV gap is large enough that Artichoke will make the room feel meaningfully brighter than Burnt Cinnamon would.
Color Details
Burnt Cinnamon vs Artichoke Simulated Comparison
5 simulated room previews — drag the slider on each to see Burnt Cinnamon on one side and Artichoke on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Burnt Cinnamon comparisons
See how Burnt Cinnamon stacks up against other well-photographed colors across different brands and tones.
Ammonite reflects far more light (LRV 69 vs 9), opening up a space where Burnt Cinnamon encloses it.
At LRV 83 vs 9, White Dove is decisively the brighter choice.
A 4-point LRV gap (9 vs 6) makes Burnt Cinnamon the marginally brighter of the two.
Purbeck Stone reflects far more light (LRV 52 vs 9), opening up a space where Burnt Cinnamon encloses it.
Evergreen Fog reflects far more light (LRV 30 vs 9), opening up a space where Burnt Cinnamon encloses it.
At LRV 52 vs 9, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 9), opening up a space where Burnt Cinnamon encloses it.
At LRV 58 vs 9, Accessible Beige is decisively the brighter choice.
At LRV 27 vs 9, Denim Drift is decisively the brighter choice.
French Gray reflects far more light (LRV 43 vs 9), opening up a space where Burnt Cinnamon encloses it.
Burnt Cinnamon reads slightly lighter (LRV 9 vs 4), a gap that shows most in low-lit rooms.
At LRV 55 vs 9, Tranquil Dawn is decisively the brighter choice.
A 4-point LRV gap (13 vs 9) makes Bancha the marginally brighter of the two.
At LRV 44 vs 9, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 9), opening up a space where Burnt Cinnamon encloses it.
At LRV 66 vs 9, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 9, Shoji White is decisively the brighter choice.
At LRV 83 vs 9, Snowbound is decisively the brighter choice.
Pigeon reflects far more light (LRV 51 vs 9), opening up a space where Burnt Cinnamon encloses it.
Their light reflectance is nearly identical (LRV 12 vs 9), so neither reads brighter in a room.
Their light reflectance is nearly identical (LRV 9 vs 8), so neither reads brighter in a room.
At LRV 68 vs 9, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 9), opening up a space where Burnt Cinnamon encloses it.
Their light reflectance is nearly identical (LRV 12 vs 9), so neither reads brighter in a room.
At LRV 45 vs 9, Saybrook Sage is decisively the brighter choice.
Pale Green reflects far more light (LRV 31 vs 9), opening up a space where Burnt Cinnamon encloses it.
With LRVs of 9 and 7, the two reflect almost the same amount of light.