Cambridge Heights vs Ammonite
Cambridge Heights (Benjamin Moore) and Ammonite (Farrow & Ball) come from different manufacturers. Hue-wise, Cambridge Heights belongs to the beige-yellow family and Ammonite to the beige-greige family. Their light reflectance values are nearly the same — 67 vs 69 — so neither will read significantly brighter or darker than the other. Where Cambridge Heights leans yellow, Ammonite reads warm — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 29.3 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Cambridge Heights vs Ammonite Simulated Comparison
5 simulated room previews — drag the slider on each to see Cambridge Heights on one side and Ammonite on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Cambridge Heights comparisons
See how Cambridge Heights stacks up against other well-photographed colors across different brands and tones.

At LRV 83 vs 67, White Dove is decisively the brighter choice.

At LRV 67 vs 6, Cambridge Heights is decisively the brighter choice.

Cambridge Heights reflects far more light (LRV 67 vs 52), opening up a space where Purbeck Stone encloses it.

Cambridge Heights reflects far more light (LRV 67 vs 30), opening up a space where Evergreen Fog encloses it.

At LRV 67 vs 52, Cambridge Heights is decisively the brighter choice.

Cambridge Heights reads slightly lighter (LRV 67 vs 60), a gap that shows most in low-lit rooms.

A 9-point LRV gap (67 vs 58) makes Cambridge Heights the marginally brighter of the two.

At LRV 67 vs 27, Cambridge Heights is decisively the brighter choice.

Cambridge Heights reflects far more light (LRV 67 vs 43), opening up a space where French Gray encloses it.

Cambridge Heights reflects far more light (LRV 67 vs 4), opening up a space where Naval encloses it.

A 12-point LRV gap (67 vs 55) makes Cambridge Heights the marginally brighter of the two.

At LRV 67 vs 13, Cambridge Heights is decisively the brighter choice.

At LRV 67 vs 44, Cambridge Heights is decisively the brighter choice.

Pure White reflects far more light (LRV 84 vs 67), opening up a space where Cambridge Heights encloses it.

Cambridge Heights reflects far more light (LRV 67 vs 21), opening up a space where Artichoke encloses it.

Their light reflectance is nearly identical (LRV 67 vs 66), so neither reads brighter in a room.

A 8-point LRV gap (74 vs 67) makes Shoji White the marginally brighter of the two.

At LRV 83 vs 67, Snowbound is decisively the brighter choice.

At LRV 67 vs 12, Cambridge Heights is decisively the brighter choice.

Their light reflectance is nearly identical (LRV 68 vs 67), so neither reads brighter in a room.

Cambridge Heights reflects far more light (LRV 67 vs 41), opening up a space where Dix Blue encloses it.

With LRVs of 68 and 67, the two reflect almost the same amount of light.

Cambridge Heights reflects far more light (LRV 67 vs 25), opening up a space where Treron encloses it.

At LRV 67 vs 12, Cambridge Heights is decisively the brighter choice.

At LRV 67 vs 45, Cambridge Heights is decisively the brighter choice.

Cambridge Heights reflects far more light (LRV 67 vs 31), opening up a space where Pale Green encloses it.

Cambridge Heights reflects far more light (LRV 67 vs 7), opening up a space where Pine Needle encloses it.

Cambridge Heights reflects far more light (LRV 67 vs 24), opening up a space where Cement grey encloses it.

Cambridge Heights reads slightly lighter (LRV 67 vs 57), a gap that shows most in low-lit rooms.

Just Walnut reads slightly lighter (LRV 72 vs 67), a gap that shows most in low-lit rooms.









