Central Mauve vs Iron Ore
Where Central Mauve belongs to Benjamin Moore's range, Iron Ore is a Sherwin-Williams color. Central Mauve reads as blue, while Iron Ore reads as grey — two distinct hue families, not close cousins. Central Mauve (LRV 40) reflects noticeably more light than Iron Ore (LRV 6), a difference of 34 points that becomes especially apparent in rooms with limited natural light. Central Mauve runs blue and purple while Iron Ore is decidedly neutral, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 42.8, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Central Mauve vs Iron Ore Simulated Comparison
5 simulated room previews — drag the slider on each to see Central Mauve on one side and Iron Ore on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Central Mauve comparisons
See how Central Mauve stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 40, White Dove is decisively the brighter choice.
Ammonite reflects far more light (LRV 69 vs 40), opening up a space where Central Mauve encloses it.
Purbeck Stone reads slightly lighter (LRV 52 vs 40), a gap that shows most in low-lit rooms.
Central Mauve reads slightly lighter (LRV 40 vs 30), a gap that shows most in low-lit rooms.
A 12-point LRV gap (52 vs 40) makes Mizzle the marginally brighter of the two.
Agreeable Gray reflects far more light (LRV 60 vs 40), opening up a space where Central Mauve encloses it.
At LRV 58 vs 40, Accessible Beige is decisively the brighter choice.
At LRV 40 vs 27, Central Mauve is decisively the brighter choice.
French Gray reads slightly lighter (LRV 43 vs 40), a gap that shows most in low-lit rooms.
Central Mauve reflects far more light (LRV 40 vs 4), opening up a space where Naval encloses it.
At LRV 55 vs 40, Tranquil Dawn is decisively the brighter choice.
At LRV 40 vs 13, Central Mauve is decisively the brighter choice.
A 4-point LRV gap (44 vs 40) makes Hardwick White the marginally brighter of the two.
Pure White reflects far more light (LRV 84 vs 40), opening up a space where Central Mauve encloses it.
Central Mauve reflects far more light (LRV 40 vs 21), opening up a space where Artichoke encloses it.
At LRV 66 vs 40, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 40, Shoji White is decisively the brighter choice.
At LRV 83 vs 40, Snowbound is decisively the brighter choice.
At LRV 40 vs 12, Central Mauve is decisively the brighter choice.
At LRV 68 vs 40, Skimming Stone is decisively the brighter choice.
With LRVs of 41 and 40, the two reflect almost the same amount of light.
Calamine reflects far more light (LRV 68 vs 40), opening up a space where Central Mauve encloses it.
Central Mauve reflects far more light (LRV 40 vs 25), opening up a space where Treron encloses it.
At LRV 40 vs 12, Central Mauve is decisively the brighter choice.
A 6-point LRV gap (45 vs 40) makes Saybrook Sage the marginally brighter of the two.
Central Mauve reads slightly lighter (LRV 40 vs 31), a gap that shows most in low-lit rooms.
Central Mauve reflects far more light (LRV 40 vs 7), opening up a space where Pine Needle encloses it.
Central Mauve reflects far more light (LRV 40 vs 24), opening up a space where Cement grey encloses it.
Guilford Green reflects far more light (LRV 57 vs 40), opening up a space where Central Mauve encloses it.
Just Walnut reflects far more light (LRV 72 vs 40), opening up a space where Central Mauve encloses it.