Clear Skies vs Dix Blue
Clear Skies is a Benjamin Moore color while Dix Blue comes from Farrow & Ball. Clear Skies reads as blue, while Dix Blue reads as blue-grey — two distinct hue families, not close cousins. At LRV 77 vs 41, Clear Skies will read as the brighter of the two — a 36-point gap that matters most in north-facing or low-light rooms. The tonal difference — Clear Skies's blue character against Dix Blue's cool — becomes most visible against white trim or in morning light. At ΔE 21.4, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Clear Skies vs Dix Blue Simulated Comparison
5 simulated room previews — drag the slider on each to see Clear Skies on one side and Dix Blue on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Clear Skies comparisons
See how Clear Skies stacks up against other well-photographed colors across different brands and tones.
A 6-point LRV gap (83 vs 77) makes White Dove the marginally brighter of the two.
Clear Skies reads slightly lighter (LRV 77 vs 69), a gap that shows most in low-lit rooms.
At LRV 77 vs 6, Clear Skies is decisively the brighter choice.
Clear Skies reflects far more light (LRV 77 vs 52), opening up a space where Purbeck Stone encloses it.
Clear Skies reflects far more light (LRV 77 vs 30), opening up a space where Evergreen Fog encloses it.
At LRV 77 vs 52, Clear Skies is decisively the brighter choice.
Clear Skies reflects far more light (LRV 77 vs 60), opening up a space where Agreeable Gray encloses it.
At LRV 77 vs 58, Clear Skies is decisively the brighter choice.
At LRV 77 vs 27, Clear Skies is decisively the brighter choice.
Clear Skies reflects far more light (LRV 77 vs 43), opening up a space where French Gray encloses it.
Clear Skies reflects far more light (LRV 77 vs 4), opening up a space where Naval encloses it.
At LRV 77 vs 55, Clear Skies is decisively the brighter choice.
At LRV 77 vs 13, Clear Skies is decisively the brighter choice.
At LRV 77 vs 44, Clear Skies is decisively the brighter choice.
Pure White reads slightly lighter (LRV 84 vs 77), a gap that shows most in low-lit rooms.
Clear Skies reflects far more light (LRV 77 vs 21), opening up a space where Artichoke encloses it.
A 12-point LRV gap (77 vs 66) makes Clear Skies the marginally brighter of the two.
Their light reflectance is nearly identical (LRV 77 vs 74), so neither reads brighter in a room.
A 6-point LRV gap (83 vs 77) makes Snowbound the marginally brighter of the two.
At LRV 77 vs 12, Clear Skies is decisively the brighter choice.
A 9-point LRV gap (77 vs 68) makes Clear Skies the marginally brighter of the two.
Clear Skies reads slightly lighter (LRV 77 vs 68), a gap that shows most in low-lit rooms.
Clear Skies reflects far more light (LRV 77 vs 25), opening up a space where Treron encloses it.
At LRV 77 vs 12, Clear Skies is decisively the brighter choice.
At LRV 77 vs 45, Clear Skies is decisively the brighter choice.
Clear Skies reflects far more light (LRV 77 vs 31), opening up a space where Pale Green encloses it.
Clear Skies reflects far more light (LRV 77 vs 7), opening up a space where Pine Needle encloses it.
Clear Skies reflects far more light (LRV 77 vs 24), opening up a space where Cement grey encloses it.
Clear Skies reflects far more light (LRV 77 vs 57), opening up a space where Guilford Green encloses it.
Clear Skies reads slightly lighter (LRV 77 vs 72), a gap that shows most in low-lit rooms.