Cloudy Sky vs Delft
Cloudy Sky is a Benjamin Moore color while Delft comes from Sherwin-Williams. Both sit in the blue-grey family, which is useful context if you're narrowing within a single hue direction. With LRVs of 33 and 33, they'll behave almost identically in terms of how much light they reflect back into a room. The tonal difference — Cloudy Sky's blue character against Delft's cool — becomes most visible against white trim or in morning light. With a ΔE of 2.2, the difference is subtle — you'd need them side by side to reliably tell them apart. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Cloudy Sky vs Delft Simulated Comparison
5 simulated room previews — drag the slider on each to see Cloudy Sky on one side and Delft on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Cloudy Sky comparisons
See how Cloudy Sky stacks up against other well-photographed colors across different brands and tones.
At LRV 69 vs 33, Ammonite is decisively the brighter choice.
White Dove reflects far more light (LRV 83 vs 33), opening up a space where Cloudy Sky encloses it.
Cloudy Sky reflects far more light (LRV 33 vs 6), opening up a space where Iron Ore encloses it.
At LRV 52 vs 33, Purbeck Stone is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 33 vs 30), so neither reads brighter in a room.
Mizzle reflects far more light (LRV 52 vs 33), opening up a space where Cloudy Sky encloses it.
At LRV 60 vs 33, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 33), opening up a space where Cloudy Sky encloses it.
Cloudy Sky reads slightly lighter (LRV 33 vs 27), a gap that shows most in low-lit rooms.
A 10-point LRV gap (43 vs 33) makes French Gray the marginally brighter of the two.
At LRV 33 vs 4, Cloudy Sky is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 33), opening up a space where Cloudy Sky encloses it.
Cloudy Sky reflects far more light (LRV 33 vs 13), opening up a space where Bancha encloses it.
Hardwick White reads slightly lighter (LRV 44 vs 33), a gap that shows most in low-lit rooms.
At LRV 84 vs 33, Pure White is decisively the brighter choice.
A 12-point LRV gap (33 vs 21) makes Cloudy Sky the marginally brighter of the two.
Balboa Mist reflects far more light (LRV 66 vs 33), opening up a space where Cloudy Sky encloses it.
Shoji White reflects far more light (LRV 74 vs 33), opening up a space where Cloudy Sky encloses it.
Snowbound reflects far more light (LRV 83 vs 33), opening up a space where Cloudy Sky encloses it.
At LRV 51 vs 33, Pigeon is decisively the brighter choice.
Cloudy Sky reflects far more light (LRV 33 vs 12), opening up a space where Pewter Green encloses it.
Cloudy Sky reflects far more light (LRV 33 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 33), opening up a space where Cloudy Sky encloses it.
A 8-point LRV gap (41 vs 33) makes Dix Blue the marginally brighter of the two.
Cloudy Sky reflects far more light (LRV 33 vs 12), opening up a space where Vintage Vogue encloses it.
Saybrook Sage reflects far more light (LRV 45 vs 33), opening up a space where Cloudy Sky encloses it.
Their light reflectance is nearly identical (LRV 33 vs 31), so neither reads brighter in a room.