Copper Clay vs Slaked Lime Deep
Copper Clay (Benjamin Moore) and Slaked Lime Deep (Little Greene) come from different manufacturers. Hue-wise, Copper Clay belongs to the pink-red family and Slaked Lime Deep to the beige family. Copper Clay has an LRV of 11. Both share a red character, which means they'll respond to light and surrounding materials in similar ways. A ΔE of 53.7 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Copper Clay vs Slaked Lime Deep Simulated Comparison
5 simulated room previews — drag the slider on each to see Copper Clay on one side and Slaked Lime Deep on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Copper Clay comparisons
See how Copper Clay stacks up against other well-photographed colors across different brands and tones.

At LRV 69 vs 11, Ammonite is decisively the brighter choice.


White Dove reflects far more light (LRV 83 vs 11), opening up a space where Copper Clay encloses it.

Copper Clay reads slightly lighter (LRV 11 vs 6), a gap that shows most in low-lit rooms.

At LRV 52 vs 11, Purbeck Stone is decisively the brighter choice.

At LRV 30 vs 11, Evergreen Fog is decisively the brighter choice.

Mizzle reflects far more light (LRV 52 vs 11), opening up a space where Copper Clay encloses it.

At LRV 60 vs 11, Agreeable Gray is decisively the brighter choice.

Accessible Beige reflects far more light (LRV 58 vs 11), opening up a space where Copper Clay encloses it.

Denim Drift reflects far more light (LRV 27 vs 11), opening up a space where Copper Clay encloses it.

At LRV 43 vs 11, French Gray is decisively the brighter choice.

A 6-point LRV gap (11 vs 4) makes Copper Clay the marginally brighter of the two.

Tranquil Dawn reflects far more light (LRV 55 vs 11), opening up a space where Copper Clay encloses it.

With LRVs of 13 and 11, the two reflect almost the same amount of light.

Hardwick White reflects far more light (LRV 44 vs 11), opening up a space where Copper Clay encloses it.

At LRV 84 vs 11, Pure White is decisively the brighter choice.

A 11-point LRV gap (21 vs 11) makes Artichoke the marginally brighter of the two.

Balboa Mist reflects far more light (LRV 66 vs 11), opening up a space where Copper Clay encloses it.

Shoji White reflects far more light (LRV 74 vs 11), opening up a space where Copper Clay encloses it.

Snowbound reflects far more light (LRV 83 vs 11), opening up a space where Copper Clay encloses it.

At LRV 51 vs 11, Pigeon is decisively the brighter choice.

With LRVs of 12 and 11, the two reflect almost the same amount of light.

With LRVs of 11 and 8, the two reflect almost the same amount of light.

Skimming Stone reflects far more light (LRV 68 vs 11), opening up a space where Copper Clay encloses it.

At LRV 41 vs 11, Dix Blue is decisively the brighter choice.

With LRVs of 12 and 11, the two reflect almost the same amount of light.

Saybrook Sage reflects far more light (LRV 45 vs 11), opening up a space where Copper Clay encloses it.

At LRV 31 vs 11, Pale Green is decisively the brighter choice.

A 4-point LRV gap (11 vs 7) makes Copper Clay the marginally brighter of the two.












