Cromwell Gray vs Olive grey
Cromwell Gray is a Benjamin Moore color while Olive grey comes from RAL Classic. Both sit in the greige-grey family, which is useful context if you're narrowing within a single hue direction. At LRV 22 vs 20, Olive grey will read as the brighter of the two — a 3-point gap that matters most in north-facing or low-light rooms. With a ΔE of 2.4, the difference is subtle — you'd need them side by side to reliably tell them apart. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Cromwell Gray vs Olive grey in Real Spaces
2 real rooms side by side. Cromwell Gray and Olive grey are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
House
At full exterior scale, the difference between these two colors becomes much easier to judge than from a small chip. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Kitchen Cabinets
On cabinetry, undertone and temperature become more pronounced against countertops and hardware. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Color Details
Cromwell Gray vs Olive grey Simulated Comparison
5 simulated room previews — drag the slider on each to see Cromwell Gray on one side and Olive grey on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Cromwell Gray comparisons
See how Cromwell Gray stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 20), opening up a space where Cromwell Gray encloses it.
At LRV 69 vs 20, Ammonite is decisively the brighter choice.
Cromwell Gray reflects far more light (LRV 20 vs 6), opening up a space where Iron Ore encloses it.
At LRV 52 vs 20, Purbeck Stone is decisively the brighter choice.
A 11-point LRV gap (30 vs 20) makes Evergreen Fog the marginally brighter of the two.
Mizzle reflects far more light (LRV 52 vs 20), opening up a space where Cromwell Gray encloses it.
At LRV 60 vs 20, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 20), opening up a space where Cromwell Gray encloses it.
Denim Drift reads slightly lighter (LRV 27 vs 20), a gap that shows most in low-lit rooms.
At LRV 43 vs 20, French Gray is decisively the brighter choice.
At LRV 20 vs 4, Cromwell Gray is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 20), opening up a space where Cromwell Gray encloses it.
Cromwell Gray reads slightly lighter (LRV 20 vs 13), a gap that shows most in low-lit rooms.
Hardwick White reflects far more light (LRV 44 vs 20), opening up a space where Cromwell Gray encloses it.
At LRV 84 vs 20, Pure White is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 21 vs 20), so neither reads brighter in a room.
Balboa Mist reflects far more light (LRV 66 vs 20), opening up a space where Cromwell Gray encloses it.
Shoji White reflects far more light (LRV 74 vs 20), opening up a space where Cromwell Gray encloses it.
Snowbound reflects far more light (LRV 83 vs 20), opening up a space where Cromwell Gray encloses it.
Cromwell Gray reads slightly lighter (LRV 20 vs 12), a gap that shows most in low-lit rooms.
Skimming Stone reflects far more light (LRV 68 vs 20), opening up a space where Cromwell Gray encloses it.
At LRV 41 vs 20, Dix Blue is decisively the brighter choice.
At LRV 68 vs 20, Calamine is decisively the brighter choice.
A 5-point LRV gap (25 vs 20) makes Treron the marginally brighter of the two.
Cromwell Gray reads slightly lighter (LRV 20 vs 12), a gap that shows most in low-lit rooms.
Saybrook Sage reflects far more light (LRV 45 vs 20), opening up a space where Cromwell Gray encloses it.
A 12-point LRV gap (31 vs 20) makes Pale Green the marginally brighter of the two.
At LRV 20 vs 7, Cromwell Gray is decisively the brighter choice.
A 5-point LRV gap (24 vs 20) makes Cement grey the marginally brighter of the two.
At LRV 57 vs 20, Guilford Green is decisively the brighter choice.