Dakota Shadow vs Pigeon
Dakota Shadow (Benjamin Moore) and Pigeon (Farrow & Ball) come from different manufacturers. Hue-wise, Dakota Shadow belongs to the green-grey family and Pigeon to the grey family. The 39-point LRV gap — 51 for Pigeon vs 12 for Dakota Shadow — means Pigeon will open up a space more effectively. Where Dakota Shadow leans green, Pigeon reads neutral — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 28.0 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Dakota Shadow vs Pigeon in Real Spaces
3 real rooms side by side. Seeing Dakota Shadow and Pigeon in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. Pigeon reflects noticeably more light off the walls, making the space read more open than Dakota Shadow.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. Pigeon returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
House
A full exterior is the most demanding test for a paint color — scale and outdoor light both amplify differences that seem small on a swatch. Pigeon returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Color Details
Dakota Shadow vs Pigeon Simulated Comparison
5 simulated room previews — drag the slider on each to see Dakota Shadow on one side and Pigeon on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Dakota Shadow comparisons
See how Dakota Shadow stacks up against other well-photographed colors across different brands and tones.
At LRV 69 vs 12, Ammonite is decisively the brighter choice.
White Dove reflects far more light (LRV 83 vs 12), opening up a space where Dakota Shadow encloses it.
Dakota Shadow reads slightly lighter (LRV 12 vs 6), a gap that shows most in low-lit rooms.
At LRV 52 vs 12, Purbeck Stone is decisively the brighter choice.
At LRV 30 vs 12, Evergreen Fog is decisively the brighter choice.
Mizzle reflects far more light (LRV 52 vs 12), opening up a space where Dakota Shadow encloses it.
At LRV 60 vs 12, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 12), opening up a space where Dakota Shadow encloses it.
Denim Drift reflects far more light (LRV 27 vs 12), opening up a space where Dakota Shadow encloses it.
At LRV 43 vs 12, French Gray is decisively the brighter choice.
A 7-point LRV gap (12 vs 4) makes Dakota Shadow the marginally brighter of the two.
Tranquil Dawn reflects far more light (LRV 55 vs 12), opening up a space where Dakota Shadow encloses it.
With LRVs of 13 and 12, the two reflect almost the same amount of light.
Hardwick White reflects far more light (LRV 44 vs 12), opening up a space where Dakota Shadow encloses it.
At LRV 84 vs 12, Pure White is decisively the brighter choice.
A 10-point LRV gap (21 vs 12) makes Artichoke the marginally brighter of the two.
Balboa Mist reflects far more light (LRV 66 vs 12), opening up a space where Dakota Shadow encloses it.
Shoji White reflects far more light (LRV 74 vs 12), opening up a space where Dakota Shadow encloses it.
Snowbound reflects far more light (LRV 83 vs 12), opening up a space where Dakota Shadow encloses it.
With LRVs of 12 and 12, the two reflect almost the same amount of light.
Dakota Shadow reads slightly lighter (LRV 12 vs 8), a gap that shows most in low-lit rooms.
Skimming Stone reflects far more light (LRV 68 vs 12), opening up a space where Dakota Shadow encloses it.
At LRV 41 vs 12, Dix Blue is decisively the brighter choice.
With LRVs of 12 and 12, the two reflect almost the same amount of light.
Saybrook Sage reflects far more light (LRV 45 vs 12), opening up a space where Dakota Shadow encloses it.
At LRV 31 vs 12, Pale Green is decisively the brighter choice.
A 5-point LRV gap (12 vs 7) makes Dakota Shadow the marginally brighter of the two.