Dark Olive vs Jack O'Lantern
Dark Olive and Jack O'Lantern come from the same Benjamin Moore collection. Hue-wise, Dark Olive belongs to the greige-grey family and Jack O'Lantern to the beige family. The 19-point LRV gap — 32 for Jack O'Lantern vs 14 for Dark Olive — means Jack O'Lantern will open up a space more effectively. Where Dark Olive leans yellow, Jack O'Lantern reads warm — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 56.4 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Dark Olive vs Jack O'Lantern Simulated Comparison
5 simulated room previews — drag the slider on each to see Dark Olive on one side and Jack O'Lantern on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Dark Olive comparisons
See how Dark Olive stacks up against other well-photographed colors across different brands and tones.
At LRV 69 vs 14, Ammonite is decisively the brighter choice.
White Dove reflects far more light (LRV 83 vs 14), opening up a space where Dark Olive encloses it.
Dark Olive reads slightly lighter (LRV 14 vs 6), a gap that shows most in low-lit rooms.
At LRV 52 vs 14, Purbeck Stone is decisively the brighter choice.
At LRV 30 vs 14, Evergreen Fog is decisively the brighter choice.
Mizzle reflects far more light (LRV 52 vs 14), opening up a space where Dark Olive encloses it.
At LRV 60 vs 14, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 14), opening up a space where Dark Olive encloses it.
Denim Drift reflects far more light (LRV 27 vs 14), opening up a space where Dark Olive encloses it.
At LRV 43 vs 14, French Gray is decisively the brighter choice.
A 9-point LRV gap (14 vs 4) makes Dark Olive the marginally brighter of the two.
Tranquil Dawn reflects far more light (LRV 55 vs 14), opening up a space where Dark Olive encloses it.
With LRVs of 14 and 13, the two reflect almost the same amount of light.
Hardwick White reflects far more light (LRV 44 vs 14), opening up a space where Dark Olive encloses it.
At LRV 84 vs 14, Pure White is decisively the brighter choice.
A 8-point LRV gap (21 vs 14) makes Artichoke the marginally brighter of the two.
Balboa Mist reflects far more light (LRV 66 vs 14), opening up a space where Dark Olive encloses it.
Shoji White reflects far more light (LRV 74 vs 14), opening up a space where Dark Olive encloses it.
Snowbound reflects far more light (LRV 83 vs 14), opening up a space where Dark Olive encloses it.
At LRV 51 vs 14, Pigeon is decisively the brighter choice.
With LRVs of 14 and 12, the two reflect almost the same amount of light.
Dark Olive reads slightly lighter (LRV 14 vs 8), a gap that shows most in low-lit rooms.
Skimming Stone reflects far more light (LRV 68 vs 14), opening up a space where Dark Olive encloses it.
At LRV 41 vs 14, Dix Blue is decisively the brighter choice.
With LRVs of 14 and 12, the two reflect almost the same amount of light.
Saybrook Sage reflects far more light (LRV 45 vs 14), opening up a space where Dark Olive encloses it.
At LRV 31 vs 14, Pale Green is decisively the brighter choice.