Dried Parsley vs Slaked Lime Deep
Dried Parsley is a Benjamin Moore color while Slaked Lime Deep comes from Little Greene. Hue-wise, Dried Parsley belongs to the beige-greige family and Slaked Lime Deep to the beige family. Dried Parsley has an LRV of 55. The tonal difference — Dried Parsley's yellow character against Slaked Lime Deep's red — becomes most visible against white trim or in morning light. At ΔE 7.0, the difference is perceptible but not dramatic — the two can work harmoniously in the same space. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Dried Parsley vs Slaked Lime Deep Simulated Comparison
5 simulated room previews — drag the slider on each to see Dried Parsley on one side and Slaked Lime Deep on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Dried Parsley comparisons
See how Dried Parsley stacks up against other well-photographed colors across different brands and tones.
Ammonite reflects far more light (LRV 69 vs 55), opening up a space where Dried Parsley encloses it.
At LRV 83 vs 55, White Dove is decisively the brighter choice.
At LRV 55 vs 6, Dried Parsley is decisively the brighter choice.
Dried Parsley reads slightly lighter (LRV 55 vs 52), a gap that shows most in low-lit rooms.
Dried Parsley reflects far more light (LRV 55 vs 30), opening up a space where Evergreen Fog encloses it.
A 4-point LRV gap (55 vs 52) makes Dried Parsley the marginally brighter of the two.
Agreeable Gray reads slightly lighter (LRV 60 vs 55), a gap that shows most in low-lit rooms.
Their light reflectance is nearly identical (LRV 58 vs 55), so neither reads brighter in a room.
At LRV 55 vs 27, Dried Parsley is decisively the brighter choice.
Dried Parsley reflects far more light (LRV 55 vs 43), opening up a space where French Gray encloses it.
Dried Parsley reflects far more light (LRV 55 vs 4), opening up a space where Naval encloses it.
Their light reflectance is nearly identical (LRV 55 vs 55), so neither reads brighter in a room.
At LRV 55 vs 13, Dried Parsley is decisively the brighter choice.
A 12-point LRV gap (55 vs 44) makes Dried Parsley the marginally brighter of the two.
Pure White reflects far more light (LRV 84 vs 55), opening up a space where Dried Parsley encloses it.
Dried Parsley reflects far more light (LRV 55 vs 21), opening up a space where Artichoke encloses it.
A 10-point LRV gap (66 vs 55) makes Balboa Mist the marginally brighter of the two.
At LRV 74 vs 55, Shoji White is decisively the brighter choice.
At LRV 83 vs 55, Snowbound is decisively the brighter choice.
Dried Parsley reads slightly lighter (LRV 55 vs 51), a gap that shows most in low-lit rooms.
At LRV 55 vs 12, Dried Parsley is decisively the brighter choice.
At LRV 55 vs 8, Dried Parsley is decisively the brighter choice.
At LRV 68 vs 55, Skimming Stone is decisively the brighter choice.
Dried Parsley reflects far more light (LRV 55 vs 41), opening up a space where Dix Blue encloses it.
At LRV 55 vs 12, Dried Parsley is decisively the brighter choice.
A 10-point LRV gap (55 vs 45) makes Dried Parsley the marginally brighter of the two.
Dried Parsley reflects far more light (LRV 55 vs 31), opening up a space where Pale Green encloses it.
Dried Parsley reflects far more light (LRV 55 vs 7), opening up a space where Pine Needle encloses it.