Dusky Blue vs Evergreen Fog
Dusky Blue (Benjamin Moore) and Evergreen Fog (Sherwin-Williams) come from different manufacturers. Hue-wise, Dusky Blue belongs to the blue family and Evergreen Fog to the green-grey family. The 30-point LRV gap — 61 for Dusky Blue vs 30 for Evergreen Fog — means Dusky Blue will open up a space more effectively. Where Dusky Blue leans blue, Evergreen Fog reads neutral — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 23.2 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Dusky Blue vs Evergreen Fog Simulated Comparison
5 simulated room previews — drag the slider on each to see Dusky Blue on one side and Evergreen Fog on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Dusky Blue comparisons
See how Dusky Blue stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 61, White Dove is decisively the brighter choice.
Ammonite reads slightly lighter (LRV 69 vs 61), a gap that shows most in low-lit rooms.
At LRV 61 vs 6, Dusky Blue is decisively the brighter choice.
Dusky Blue reads slightly lighter (LRV 61 vs 52), a gap that shows most in low-lit rooms.
A 9-point LRV gap (61 vs 52) makes Dusky Blue the marginally brighter of the two.
With LRVs of 61 and 60, the two reflect almost the same amount of light.
A 3-point LRV gap (61 vs 58) makes Dusky Blue the marginally brighter of the two.
At LRV 61 vs 27, Dusky Blue is decisively the brighter choice.
Dusky Blue reflects far more light (LRV 61 vs 43), opening up a space where French Gray encloses it.
Dusky Blue reflects far more light (LRV 61 vs 4), opening up a space where Naval encloses it.
A 6-point LRV gap (61 vs 55) makes Dusky Blue the marginally brighter of the two.
At LRV 61 vs 13, Dusky Blue is decisively the brighter choice.
At LRV 61 vs 44, Dusky Blue is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 61), opening up a space where Dusky Blue encloses it.
Dusky Blue reflects far more light (LRV 61 vs 21), opening up a space where Artichoke encloses it.
A 5-point LRV gap (66 vs 61) makes Balboa Mist the marginally brighter of the two.
At LRV 74 vs 61, Shoji White is decisively the brighter choice.
At LRV 83 vs 61, Snowbound is decisively the brighter choice.
At LRV 61 vs 12, Dusky Blue is decisively the brighter choice.
A 7-point LRV gap (68 vs 61) makes Skimming Stone the marginally brighter of the two.
Dusky Blue reflects far more light (LRV 61 vs 41), opening up a space where Dix Blue encloses it.
Calamine reads slightly lighter (LRV 68 vs 61), a gap that shows most in low-lit rooms.
Dusky Blue reflects far more light (LRV 61 vs 25), opening up a space where Treron encloses it.
At LRV 61 vs 12, Dusky Blue is decisively the brighter choice.
At LRV 61 vs 45, Dusky Blue is decisively the brighter choice.
Dusky Blue reflects far more light (LRV 61 vs 31), opening up a space where Pale Green encloses it.
Dusky Blue reflects far more light (LRV 61 vs 7), opening up a space where Pine Needle encloses it.
Dusky Blue reflects far more light (LRV 61 vs 24), opening up a space where Cement grey encloses it.
Dusky Blue reads slightly lighter (LRV 61 vs 57), a gap that shows most in low-lit rooms.
Just Walnut reads slightly lighter (LRV 72 vs 61), a gap that shows most in low-lit rooms.