Early Spring Green vs Ammonite
Where Early Spring Green belongs to Benjamin Moore's range, Ammonite is a Farrow & Ball color. Hue-wise, Early Spring Green belongs to the green family and Ammonite to the beige-greige family. They have nearly identical light reflectance values (68 vs 69), so they'll read as similarly Light in most lighting conditions. Early Spring Green runs green while Ammonite is decidedly warm, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 30.8, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Early Spring Green vs Ammonite Simulated Comparison
5 simulated room previews — drag the slider on each to see Early Spring Green on one side and Ammonite on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Early Spring Green comparisons
See how Early Spring Green stacks up against other well-photographed colors across different brands and tones.

At LRV 83 vs 68, White Dove is decisively the brighter choice.

At LRV 68 vs 6, Early Spring Green is decisively the brighter choice.

Early Spring Green reflects far more light (LRV 68 vs 52), opening up a space where Purbeck Stone encloses it.

Early Spring Green reflects far more light (LRV 68 vs 30), opening up a space where Evergreen Fog encloses it.

At LRV 68 vs 52, Early Spring Green is decisively the brighter choice.

Early Spring Green reads slightly lighter (LRV 68 vs 60), a gap that shows most in low-lit rooms.

A 10-point LRV gap (68 vs 58) makes Early Spring Green the marginally brighter of the two.

At LRV 68 vs 27, Early Spring Green is decisively the brighter choice.

Early Spring Green reflects far more light (LRV 68 vs 43), opening up a space where French Gray encloses it.

Early Spring Green reflects far more light (LRV 68 vs 4), opening up a space where Naval encloses it.

At LRV 68 vs 55, Early Spring Green is decisively the brighter choice.

At LRV 68 vs 13, Early Spring Green is decisively the brighter choice.

At LRV 68 vs 44, Early Spring Green is decisively the brighter choice.

Pure White reflects far more light (LRV 84 vs 68), opening up a space where Early Spring Green encloses it.

Early Spring Green reflects far more light (LRV 68 vs 21), opening up a space where Artichoke encloses it.

Their light reflectance is nearly identical (LRV 68 vs 66), so neither reads brighter in a room.

A 7-point LRV gap (74 vs 68) makes Shoji White the marginally brighter of the two.

At LRV 83 vs 68, Snowbound is decisively the brighter choice.

Early Spring Green reflects far more light (LRV 68 vs 51), opening up a space where Pigeon encloses it.

At LRV 68 vs 12, Early Spring Green is decisively the brighter choice.

At LRV 68 vs 8, Early Spring Green is decisively the brighter choice.

Their light reflectance is nearly identical (LRV 68 vs 68), so neither reads brighter in a room.

Early Spring Green reflects far more light (LRV 68 vs 41), opening up a space where Dix Blue encloses it.

At LRV 68 vs 12, Early Spring Green is decisively the brighter choice.

At LRV 68 vs 45, Early Spring Green is decisively the brighter choice.

Early Spring Green reflects far more light (LRV 68 vs 31), opening up a space where Pale Green encloses it.

Early Spring Green reflects far more light (LRV 68 vs 7), opening up a space where Pine Needle encloses it.













