Elmira White vs Pink Damask
Both from Benjamin Moore's palette. Hue-wise, Elmira White belongs to the beige-greige family and Pink Damask to the beige-pink family. Pink Damask (LRV 85) reflects noticeably more light than Elmira White (LRV 65), a difference of 21 points that becomes especially apparent in rooms with limited natural light. Both lean red, so they'll behave similarly in mixed or changing light conditions. With a ΔE of 10.9, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Elmira White vs Pink Damask in Real Spaces
1 real room side by side. Seeing Elmira White and Pink Damask in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Pink Damask reflects noticeably more light off the walls, making the space read more open than Elmira White.
Color Details
Elmira White vs Pink Damask Simulated Comparison
5 simulated room previews — drag the slider on each to see Elmira White on one side and Pink Damask on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Elmira White comparisons
See how Elmira White stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 65, White Dove is decisively the brighter choice.
Ammonite reads slightly lighter (LRV 69 vs 65), a gap that shows most in low-lit rooms.
At LRV 65 vs 6, Elmira White is decisively the brighter choice.
Elmira White reflects far more light (LRV 65 vs 52), opening up a space where Purbeck Stone encloses it.
Elmira White reflects far more light (LRV 65 vs 30), opening up a space where Evergreen Fog encloses it.
At LRV 65 vs 52, Elmira White is decisively the brighter choice.
Elmira White reads slightly lighter (LRV 65 vs 60), a gap that shows most in low-lit rooms.
A 7-point LRV gap (65 vs 58) makes Elmira White the marginally brighter of the two.
At LRV 65 vs 27, Elmira White is decisively the brighter choice.
Elmira White reflects far more light (LRV 65 vs 43), opening up a space where French Gray encloses it.
Elmira White reflects far more light (LRV 65 vs 4), opening up a space where Naval encloses it.
A 10-point LRV gap (65 vs 55) makes Elmira White the marginally brighter of the two.
At LRV 65 vs 13, Elmira White is decisively the brighter choice.
At LRV 65 vs 44, Elmira White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 65), opening up a space where Elmira White encloses it.
Elmira White reflects far more light (LRV 65 vs 21), opening up a space where Artichoke encloses it.
Their light reflectance is nearly identical (LRV 66 vs 65), so neither reads brighter in a room.
A 10-point LRV gap (74 vs 65) makes Shoji White the marginally brighter of the two.
At LRV 83 vs 65, Snowbound is decisively the brighter choice.
At LRV 65 vs 12, Elmira White is decisively the brighter choice.
A 3-point LRV gap (68 vs 65) makes Skimming Stone the marginally brighter of the two.
Elmira White reflects far more light (LRV 65 vs 41), opening up a space where Dix Blue encloses it.
With LRVs of 68 and 65, the two reflect almost the same amount of light.
Elmira White reflects far more light (LRV 65 vs 25), opening up a space where Treron encloses it.
At LRV 65 vs 12, Elmira White is decisively the brighter choice.
At LRV 65 vs 45, Elmira White is decisively the brighter choice.
Elmira White reflects far more light (LRV 65 vs 31), opening up a space where Pale Green encloses it.
Elmira White reflects far more light (LRV 65 vs 7), opening up a space where Pine Needle encloses it.
Elmira White reflects far more light (LRV 65 vs 24), opening up a space where Cement grey encloses it.
Elmira White reads slightly lighter (LRV 65 vs 57), a gap that shows most in low-lit rooms.