Everard Blue vs Olympus Green
Everard Blue and Olympus Green come from the same Benjamin Moore collection. Everard Blue reads as blue, while Olympus Green reads as blue-green — two distinct hue families, not close cousins. Their light reflectance values are nearly the same — 10 vs 9 — so neither will read significantly brighter or darker than the other. Both share a blue character, which means they'll respond to light and surrounding materials in similar ways. A ΔE of 2.4 puts them in subtle territory — distinguishable in direct comparison, less so from across a room. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Everard Blue vs Olympus Green in Real Spaces
1 real room side by side. Everard Blue and Olympus Green are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Color Details
Everard Blue vs Olympus Green Simulated Comparison
5 simulated room previews — drag the slider on each to see Everard Blue on one side and Olympus Green on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Everard Blue comparisons
See how Everard Blue stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 10, White Dove is decisively the brighter choice.
Ammonite reflects far more light (LRV 69 vs 10), opening up a space where Everard Blue encloses it.
A 5-point LRV gap (10 vs 6) makes Everard Blue the marginally brighter of the two.
Purbeck Stone reflects far more light (LRV 52 vs 10), opening up a space where Everard Blue encloses it.
Evergreen Fog reflects far more light (LRV 30 vs 10), opening up a space where Everard Blue encloses it.
At LRV 52 vs 10, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 10), opening up a space where Everard Blue encloses it.
At LRV 58 vs 10, Accessible Beige is decisively the brighter choice.
At LRV 27 vs 10, Denim Drift is decisively the brighter choice.
French Gray reflects far more light (LRV 43 vs 10), opening up a space where Everard Blue encloses it.
Everard Blue reads slightly lighter (LRV 10 vs 4), a gap that shows most in low-lit rooms.
At LRV 55 vs 10, Tranquil Dawn is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 13 vs 10), so neither reads brighter in a room.
At LRV 44 vs 10, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 10), opening up a space where Everard Blue encloses it.
Artichoke reads slightly lighter (LRV 21 vs 10), a gap that shows most in low-lit rooms.
At LRV 66 vs 10, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 10, Shoji White is decisively the brighter choice.
At LRV 83 vs 10, Snowbound is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 12 vs 10), so neither reads brighter in a room.
At LRV 68 vs 10, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 10), opening up a space where Everard Blue encloses it.
Calamine reflects far more light (LRV 68 vs 10), opening up a space where Everard Blue encloses it.
Treron reflects far more light (LRV 25 vs 10), opening up a space where Everard Blue encloses it.
Their light reflectance is nearly identical (LRV 12 vs 10), so neither reads brighter in a room.
At LRV 45 vs 10, Saybrook Sage is decisively the brighter choice.
Pale Green reflects far more light (LRV 31 vs 10), opening up a space where Everard Blue encloses it.
Everard Blue reads slightly lighter (LRV 10 vs 7), a gap that shows most in low-lit rooms.
Cement grey reflects far more light (LRV 24 vs 10), opening up a space where Everard Blue encloses it.
Guilford Green reflects far more light (LRV 57 vs 10), opening up a space where Everard Blue encloses it.