Fallen Timber vs Calamine
Fallen Timber (Benjamin Moore) and Calamine (Farrow & Ball) come from different manufacturers. Hue-wise, Fallen Timber belongs to the greige-grey family and Calamine to the pink-red family. The 51-point LRV gap — 68 for Calamine vs 17 for Fallen Timber — means Calamine will open up a space more effectively. Both share a warm character, which means they'll respond to light and surrounding materials in similar ways. A ΔE of 39.2 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Fallen Timber vs Calamine Simulated Comparison
5 simulated room previews — drag the slider on each to see Fallen Timber on one side and Calamine on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Fallen Timber comparisons
See how Fallen Timber stacks up against other well-photographed colors across different brands and tones.
Ammonite reflects far more light (LRV 69 vs 17), opening up a space where Fallen Timber encloses it.
At LRV 83 vs 17, White Dove is decisively the brighter choice.
A 11-point LRV gap (17 vs 6) makes Fallen Timber the marginally brighter of the two.
Purbeck Stone reflects far more light (LRV 52 vs 17), opening up a space where Fallen Timber encloses it.
Evergreen Fog reflects far more light (LRV 30 vs 17), opening up a space where Fallen Timber encloses it.
At LRV 52 vs 17, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 17), opening up a space where Fallen Timber encloses it.
At LRV 58 vs 17, Accessible Beige is decisively the brighter choice.
A 10-point LRV gap (27 vs 17) makes Denim Drift the marginally brighter of the two.
French Gray reflects far more light (LRV 43 vs 17), opening up a space where Fallen Timber encloses it.
Fallen Timber reflects far more light (LRV 17 vs 4), opening up a space where Naval encloses it.
At LRV 55 vs 17, Tranquil Dawn is decisively the brighter choice.
A 3-point LRV gap (17 vs 13) makes Fallen Timber the marginally brighter of the two.
At LRV 44 vs 17, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 17), opening up a space where Fallen Timber encloses it.
Artichoke reads slightly lighter (LRV 21 vs 17), a gap that shows most in low-lit rooms.
At LRV 66 vs 17, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 17, Shoji White is decisively the brighter choice.
At LRV 83 vs 17, Snowbound is decisively the brighter choice.
Pigeon reflects far more light (LRV 51 vs 17), opening up a space where Fallen Timber encloses it.
A 5-point LRV gap (17 vs 12) makes Fallen Timber the marginally brighter of the two.
A 8-point LRV gap (17 vs 8) makes Fallen Timber the marginally brighter of the two.
At LRV 68 vs 17, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 17), opening up a space where Fallen Timber encloses it.
A 5-point LRV gap (17 vs 12) makes Fallen Timber the marginally brighter of the two.
At LRV 45 vs 17, Saybrook Sage is decisively the brighter choice.
Pale Green reflects far more light (LRV 31 vs 17), opening up a space where Fallen Timber encloses it.