First Light vs RAL 160-5
First Light is a Benjamin Moore color while RAL 160-5 comes from RAL Effect. Hue-wise, First Light belongs to the pink-red family and RAL 160-5 to the beige-pink family. At LRV 80 vs 76, RAL 160-5 will read as the brighter of the two — a 4-point gap that matters most in north-facing or low-light rooms. With a ΔE of 0.9, the difference is subtle — you'd need them side by side to reliably tell them apart. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
First Light vs RAL 160-5 in Real Spaces
1 real room side by side. First Light and RAL 160-5 are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The brightness difference is modest but present — RAL 160-5 gives the walls a little more lift.
Color Details
First Light vs RAL 160-5 Simulated Comparison
5 simulated room previews — drag the slider on each to see First Light on one side and RAL 160-5 on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More First Light comparisons
See how First Light stacks up against other well-photographed colors across different brands and tones.
First Light reads slightly lighter (LRV 76 vs 69), a gap that shows most in low-lit rooms.
A 7-point LRV gap (83 vs 76) makes White Dove the marginally brighter of the two.
At LRV 76 vs 6, First Light is decisively the brighter choice.
First Light reflects far more light (LRV 76 vs 52), opening up a space where Purbeck Stone encloses it.
First Light reflects far more light (LRV 76 vs 30), opening up a space where Evergreen Fog encloses it.
At LRV 76 vs 52, First Light is decisively the brighter choice.
First Light reflects far more light (LRV 76 vs 60), opening up a space where Agreeable Gray encloses it.
At LRV 76 vs 58, First Light is decisively the brighter choice.
At LRV 76 vs 27, First Light is decisively the brighter choice.
First Light reflects far more light (LRV 76 vs 43), opening up a space where French Gray encloses it.
First Light reflects far more light (LRV 76 vs 4), opening up a space where Naval encloses it.
At LRV 76 vs 55, First Light is decisively the brighter choice.
At LRV 76 vs 13, First Light is decisively the brighter choice.
At LRV 76 vs 44, First Light is decisively the brighter choice.
Pure White reads slightly lighter (LRV 84 vs 76), a gap that shows most in low-lit rooms.
First Light reflects far more light (LRV 76 vs 21), opening up a space where Artichoke encloses it.
A 10-point LRV gap (76 vs 66) makes First Light the marginally brighter of the two.
Their light reflectance is nearly identical (LRV 76 vs 74), so neither reads brighter in a room.
A 7-point LRV gap (83 vs 76) makes Snowbound the marginally brighter of the two.
First Light reflects far more light (LRV 76 vs 51), opening up a space where Pigeon encloses it.
At LRV 76 vs 12, First Light is decisively the brighter choice.
At LRV 76 vs 8, First Light is decisively the brighter choice.
A 8-point LRV gap (76 vs 68) makes First Light the marginally brighter of the two.
First Light reflects far more light (LRV 76 vs 41), opening up a space where Dix Blue encloses it.
At LRV 76 vs 12, First Light is decisively the brighter choice.
At LRV 76 vs 45, First Light is decisively the brighter choice.
First Light reflects far more light (LRV 76 vs 31), opening up a space where Pale Green encloses it.