From the Archives vs Bancha
From the Archives is a Benjamin Moore color while Bancha comes from Farrow & Ball. From the Archives reads as beige, while Bancha reads as beige-greige — two distinct hue families, not close cousins. At LRV 61 vs 13, From the Archives will read as the brighter of the two — a 48-point gap that matters most in north-facing or low-light rooms. The tonal difference — From the Archives's red character against Bancha's warm — becomes most visible against white trim or in morning light. At ΔE 40.9, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
From the Archives vs Bancha Simulated Comparison
5 simulated room previews — drag the slider on each to see From the Archives on one side and Bancha on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More From the Archives comparisons
See how From the Archives stacks up against other well-photographed colors across different brands and tones.
Ammonite reads slightly lighter (LRV 69 vs 61), a gap that shows most in low-lit rooms.
At LRV 83 vs 61, White Dove is decisively the brighter choice.
At LRV 61 vs 6, From the Archives is decisively the brighter choice.
From the Archives reads slightly lighter (LRV 61 vs 52), a gap that shows most in low-lit rooms.
From the Archives reflects far more light (LRV 61 vs 30), opening up a space where Evergreen Fog encloses it.
A 9-point LRV gap (61 vs 52) makes From the Archives the marginally brighter of the two.
With LRVs of 61 and 60, the two reflect almost the same amount of light.
A 3-point LRV gap (61 vs 58) makes From the Archives the marginally brighter of the two.
At LRV 61 vs 27, From the Archives is decisively the brighter choice.
From the Archives reflects far more light (LRV 61 vs 43), opening up a space where French Gray encloses it.
From the Archives reflects far more light (LRV 61 vs 4), opening up a space where Naval encloses it.
A 6-point LRV gap (61 vs 55) makes From the Archives the marginally brighter of the two.
At LRV 61 vs 44, From the Archives is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 61), opening up a space where From the Archives encloses it.
From the Archives reflects far more light (LRV 61 vs 21), opening up a space where Artichoke encloses it.
A 4-point LRV gap (66 vs 61) makes Balboa Mist the marginally brighter of the two.
At LRV 74 vs 61, Shoji White is decisively the brighter choice.
At LRV 83 vs 61, Snowbound is decisively the brighter choice.
From the Archives reads slightly lighter (LRV 61 vs 51), a gap that shows most in low-lit rooms.
At LRV 61 vs 12, From the Archives is decisively the brighter choice.
At LRV 61 vs 8, From the Archives is decisively the brighter choice.
A 7-point LRV gap (68 vs 61) makes Skimming Stone the marginally brighter of the two.
From the Archives reflects far more light (LRV 61 vs 41), opening up a space where Dix Blue encloses it.
At LRV 61 vs 12, From the Archives is decisively the brighter choice.
At LRV 61 vs 45, From the Archives is decisively the brighter choice.
From the Archives reflects far more light (LRV 61 vs 31), opening up a space where Pale Green encloses it.
From the Archives reflects far more light (LRV 61 vs 7), opening up a space where Pine Needle encloses it.