Full Moon vs Agreeable Gray
Where Full Moon belongs to Benjamin Moore's range, Agreeable Gray is a Sherwin-Williams color. Full Moon reads as blue-white, while Agreeable Gray reads as greige-grey — two distinct hue families, not close cousins. Full Moon (LRV 75) reflects noticeably more light than Agreeable Gray (LRV 60), a difference of 15 points that becomes especially apparent in rooms with limited natural light. Full Moon runs blue while Agreeable Gray is decidedly warm, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 10.2, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Full Moon vs Agreeable Gray Simulated Comparison
5 simulated room previews — drag the slider on each to see Full Moon on one side and Agreeable Gray on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Full Moon comparisons
See how Full Moon stacks up against other well-photographed colors across different brands and tones.
A 8-point LRV gap (83 vs 75) makes White Dove the marginally brighter of the two.
Full Moon reflects far more light (LRV 75 vs 52), opening up a space where Purbeck Stone encloses it.
Full Moon reflects far more light (LRV 75 vs 30), opening up a space where Evergreen Fog encloses it.
At LRV 75 vs 58, Full Moon is decisively the brighter choice.
At LRV 75 vs 27, Full Moon is decisively the brighter choice.
Full Moon reflects far more light (LRV 75 vs 43), opening up a space where French Gray encloses it.
At LRV 75 vs 55, Full Moon is decisively the brighter choice.
At LRV 75 vs 44, Full Moon is decisively the brighter choice.
Pure White reads slightly lighter (LRV 84 vs 75), a gap that shows most in low-lit rooms.
A 10-point LRV gap (75 vs 66) makes Full Moon the marginally brighter of the two.
Their light reflectance is nearly identical (LRV 75 vs 74), so neither reads brighter in a room.
At LRV 75 vs 12, Full Moon is decisively the brighter choice.
A 7-point LRV gap (75 vs 68) makes Full Moon the marginally brighter of the two.
At LRV 75 vs 12, Full Moon is decisively the brighter choice.
At LRV 75 vs 45, Full Moon is decisively the brighter choice.
Full Moon reflects far more light (LRV 75 vs 31), opening up a space where Pale Green encloses it.
Full Moon reflects far more light (LRV 75 vs 7), opening up a space where Pine Needle encloses it.
Full Moon reflects far more light (LRV 75 vs 24), opening up a space where Cement grey encloses it.
Full Moon reflects far more light (LRV 75 vs 57), opening up a space where Guilford Green encloses it.
Full Moon reads slightly lighter (LRV 75 vs 72), a gap that shows most in low-lit rooms.