Gallery Buff vs Saybrook Sage

Both are Benjamin Moore colors. Gallery Buff reads as beige-greige, while Saybrook Sage reads as grey — two distinct hue families, not close cousins. With LRVs of 46 and 45, they'll behave almost identically in terms of how much light they reflect back into a room. The tonal difference — Gallery Buff's red character against Saybrook Sage's green — becomes most visible against white trim or in morning light. At ΔE 6.4, the difference is perceptible but not dramatic — the two can work harmoniously in the same space. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.

Color Details

Gallery Buff
Benjamin Moore · CSP-225
Hex#BFB5A3
LRV46.2
BrandBenjamin Moore
NumberCSP-225
UndertoneRed
TemperatureWarm
BrightnessMedium
Saybrook Sage
Benjamin Moore · HC-114
Hex#B1B7A2
LRV45.5
BrandBenjamin Moore
NumberHC-114
UndertoneGreen
TemperatureWarm
BrightnessMedium

Gallery Buff vs Saybrook Sage Simulated Comparison

5 simulated room previews — drag the slider on each to see Gallery Buff on one side and Saybrook Sage on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Gallery Buff comparisons

See how Gallery Buff stacks up against other well-photographed colors across different brands and tones.

White Dove
Gallery Buff
White Dove
Benjamin Moore
Gallery Buff
CSP-225 · LRV 46

At LRV 83 vs 46, White Dove is decisively the brighter choice.

Ammonite
Gallery Buff
Ammonite
Benjamin Moore
Gallery Buff
CSP-225 · LRV 46
Farrow & Ball
Ammonite
LRV 69

Ammonite reflects far more light (LRV 69 vs 46), opening up a space where Gallery Buff encloses it.

Iron Ore
Gallery Buff
Iron Ore
Benjamin Moore
Gallery Buff
CSP-225 · LRV 46

At LRV 46 vs 6, Gallery Buff is decisively the brighter choice.

Purbeck Stone
Gallery Buff
Purbeck Stone
Benjamin Moore
Gallery Buff
CSP-225 · LRV 46

Purbeck Stone reads slightly lighter (LRV 52 vs 46), a gap that shows most in low-lit rooms.

Evergreen Fog
Gallery Buff
Evergreen Fog
Benjamin Moore
Gallery Buff
CSP-225 · LRV 46

Gallery Buff reflects far more light (LRV 46 vs 30), opening up a space where Evergreen Fog encloses it.

Mizzle
Gallery Buff
Mizzle
Benjamin Moore
Gallery Buff
CSP-225 · LRV 46
Farrow & Ball
Mizzle
LRV 52

A 5-point LRV gap (52 vs 46) makes Mizzle the marginally brighter of the two.

Agreeable Gray
Gallery Buff
Agreeable Gray
Benjamin Moore
Gallery Buff
CSP-225 · LRV 46

Agreeable Gray reflects far more light (LRV 60 vs 46), opening up a space where Gallery Buff encloses it.

Accessible Beige
Gallery Buff
Accessible Beige
Benjamin Moore
Gallery Buff
CSP-225 · LRV 46

A 11-point LRV gap (58 vs 46) makes Accessible Beige the marginally brighter of the two.

Denim Drift
Gallery Buff
Denim Drift
Benjamin Moore
Gallery Buff
CSP-225 · LRV 46

At LRV 46 vs 27, Gallery Buff is decisively the brighter choice.

French Gray
Gallery Buff
French Gray
Benjamin Moore
Gallery Buff
CSP-225 · LRV 46

With LRVs of 46 and 43, the two reflect almost the same amount of light.

Naval
Gallery Buff
Naval
Benjamin Moore
Gallery Buff
CSP-225 · LRV 46
Sherwin-Williams
Naval
LRV 4

Gallery Buff reflects far more light (LRV 46 vs 4), opening up a space where Naval encloses it.

Tranquil Dawn
Gallery Buff
Tranquil Dawn
Benjamin Moore
Gallery Buff
CSP-225 · LRV 46

A 9-point LRV gap (55 vs 46) makes Tranquil Dawn the marginally brighter of the two.

Bancha
Gallery Buff
Bancha
Benjamin Moore
Gallery Buff
CSP-225 · LRV 46
Farrow & Ball
Bancha
LRV 13

At LRV 46 vs 13, Gallery Buff is decisively the brighter choice.

Hardwick White
Gallery Buff vs Hardwick White
Gallery Buff
Hardwick White
Benjamin Moore
Gallery Buff
CSP-225 · LRV 46

Their light reflectance is nearly identical (LRV 46 vs 44), so neither reads brighter in a room.

Pure White
Gallery Buff
Pure White
Benjamin Moore
Gallery Buff
CSP-225 · LRV 46

Pure White reflects far more light (LRV 84 vs 46), opening up a space where Gallery Buff encloses it.

Artichoke
Gallery Buff
Artichoke
Benjamin Moore
Gallery Buff
CSP-225 · LRV 46
Sherwin-Williams
Artichoke
LRV 21

Gallery Buff reflects far more light (LRV 46 vs 21), opening up a space where Artichoke encloses it.

Balboa Mist
Balboa Mist
Gallery Buff
Benjamin Moore
Gallery Buff
CSP-225 · LRV 46

At LRV 66 vs 46, Balboa Mist is decisively the brighter choice.

Shoji White
Gallery Buff
Shoji White
Benjamin Moore
Gallery Buff
CSP-225 · LRV 46

At LRV 74 vs 46, Shoji White is decisively the brighter choice.

Snowbound
Gallery Buff
Snowbound
Benjamin Moore
Gallery Buff
CSP-225 · LRV 46
Sherwin-Williams
Snowbound
LRV 83

At LRV 83 vs 46, Snowbound is decisively the brighter choice.

Pewter Green
Gallery Buff
Pewter Green
Benjamin Moore
Gallery Buff
CSP-225 · LRV 46

At LRV 46 vs 12, Gallery Buff is decisively the brighter choice.

Skimming Stone
Gallery Buff
Skimming Stone
Benjamin Moore
Gallery Buff
CSP-225 · LRV 46

At LRV 68 vs 46, Skimming Stone is decisively the brighter choice.

Dix Blue
Gallery Buff
Dix Blue
Benjamin Moore
Gallery Buff
CSP-225 · LRV 46
Farrow & Ball
Dix Blue
LRV 41

Gallery Buff reads slightly lighter (LRV 46 vs 41), a gap that shows most in low-lit rooms.

Calamine
Gallery Buff
Calamine
Benjamin Moore
Gallery Buff
CSP-225 · LRV 46
Farrow & Ball
Calamine
LRV 68

Calamine reflects far more light (LRV 68 vs 46), opening up a space where Gallery Buff encloses it.

Treron
Gallery Buff
Treron
Benjamin Moore
Gallery Buff
CSP-225 · LRV 46
Farrow & Ball
Treron
LRV 25

Gallery Buff reflects far more light (LRV 46 vs 25), opening up a space where Treron encloses it.

Vintage Vogue
Gallery Buff
Vintage Vogue
Benjamin Moore
Gallery Buff
CSP-225 · LRV 46

At LRV 46 vs 12, Gallery Buff is decisively the brighter choice.

Pale Green
Gallery Buff
Pale Green
Benjamin Moore
Gallery Buff
CSP-225 · LRV 46
RAL ClassicClassic
Pale Green
LRV 31

Gallery Buff reflects far more light (LRV 46 vs 31), opening up a space where Pale Green encloses it.

Pine Needle
Gallery Buff
Pine Needle
Benjamin Moore
Gallery Buff
CSP-225 · LRV 46

Gallery Buff reflects far more light (LRV 46 vs 7), opening up a space where Pine Needle encloses it.

Cement grey
Gallery Buff
Cement grey
Benjamin Moore
Gallery Buff
CSP-225 · LRV 46
RAL ClassicClassic
Cement grey
LRV 24

Gallery Buff reflects far more light (LRV 46 vs 24), opening up a space where Cement grey encloses it.

Guilford Green
Gallery Buff
Guilford Green
Benjamin Moore
Gallery Buff
CSP-225 · LRV 46

Guilford Green reads slightly lighter (LRV 57 vs 46), a gap that shows most in low-lit rooms.

Just Walnut
Gallery Buff
Just Walnut
Benjamin Moore
Gallery Buff
CSP-225 · LRV 46

Just Walnut reflects far more light (LRV 72 vs 46), opening up a space where Gallery Buff encloses it.