Glacial Till vs Dix Blue

Glacial TillBenjamin MoorevsDix BlueFarrow & BallΔE 18.0Distinct difference

Where Glacial Till belongs to Benjamin Moore's range, Dix Blue is a Farrow & Ball color. Glacial Till reads as beige-greige, while Dix Blue reads as blue-grey — two distinct hue families, not close cousins. Glacial Till (LRV 47) reflects noticeably more light than Dix Blue (LRV 41), a difference of 6 points that becomes especially apparent in rooms with limited natural light. Glacial Till runs red while Dix Blue is decidedly cool, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 18.0, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.

Glacial Till vs Dix Blue in Real Spaces

1 real room side by side. Seeing Glacial Till and Dix Blue in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.

Living Room

In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The brightness difference is modest but present — Glacial Till gives the walls a little more lift.

Glacial TillBenjamin Moore AF-390 living room photo

@callahan_interiordesign

Dix BlueDix Blue living room fireplace paint

@thetreehouse_onthehill

Color Details

Glacial Till
Benjamin Moore · AF-390
Hex#C3B79D
LRV47.2
BrandBenjamin Moore
NumberAF-390
UndertoneRed
TemperatureWarm
BrightnessMedium
Dix Blue
Farrow & Ball · 82
Hex#99b0ab
LRV41.0
BrandFarrow & Ball
Number82
Undertone
TemperatureCool
BrightnessMedium

Glacial Till vs Dix Blue Simulated Comparison

5 simulated room previews — drag the slider on each to see Glacial Till on one side and Dix Blue on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Glacial Till comparisons

See how Glacial Till stacks up against other well-photographed colors across different brands and tones.

Glacial Till
White Dove
Glacial Till vs White Dove
Glacial Till
White Dove
Benjamin Moore
Glacial Till
AF-390 · LRV 47

White Dove reflects far more light (LRV 83 vs 47), opening up a space where Glacial Till encloses it.

Glacial Till
Ammonite
Glacial Till
Ammonite
Benjamin Moore
Glacial Till
AF-390 · LRV 47
Farrow & Ball
Ammonite
LRV 69

At LRV 69 vs 47, Ammonite is decisively the brighter choice.

Glacial Till
Iron Ore
Glacial Till
Iron Ore
Benjamin Moore
Glacial Till
AF-390 · LRV 47

Glacial Till reflects far more light (LRV 47 vs 6), opening up a space where Iron Ore encloses it.

Glacial Till
Purbeck Stone
Glacial Till
Purbeck Stone
Benjamin Moore
Glacial Till
AF-390 · LRV 47

A 5-point LRV gap (52 vs 47) makes Purbeck Stone the marginally brighter of the two.

Glacial Till
Evergreen Fog
Glacial Till
Evergreen Fog
Benjamin Moore
Glacial Till
AF-390 · LRV 47

At LRV 47 vs 30, Glacial Till is decisively the brighter choice.

Glacial Till
Mizzle
Glacial Till
Mizzle
Benjamin Moore
Glacial Till
AF-390 · LRV 47
Farrow & Ball
Mizzle
LRV 52

Mizzle reads slightly lighter (LRV 52 vs 47), a gap that shows most in low-lit rooms.

Glacial Till
Agreeable Gray
Glacial Till
Agreeable Gray
Benjamin Moore
Glacial Till
AF-390 · LRV 47

At LRV 60 vs 47, Agreeable Gray is decisively the brighter choice.

Glacial Till
Accessible Beige
Glacial Till
Accessible Beige
Benjamin Moore
Glacial Till
AF-390 · LRV 47

Accessible Beige reads slightly lighter (LRV 58 vs 47), a gap that shows most in low-lit rooms.

Glacial Till
Denim Drift
Glacial Till
Denim Drift
Benjamin Moore
Glacial Till
AF-390 · LRV 47

Glacial Till reflects far more light (LRV 47 vs 27), opening up a space where Denim Drift encloses it.

Glacial Till
French Gray
Glacial Till
French Gray
Benjamin Moore
Glacial Till
AF-390 · LRV 47

A 4-point LRV gap (47 vs 43) makes Glacial Till the marginally brighter of the two.

Glacial Till
Naval
Glacial Till
Naval
Benjamin Moore
Glacial Till
AF-390 · LRV 47
Sherwin-Williams
Naval
LRV 4

At LRV 47 vs 4, Glacial Till is decisively the brighter choice.

Glacial Till
Tranquil Dawn
Glacial Till
Tranquil Dawn
Benjamin Moore
Glacial Till
AF-390 · LRV 47

Tranquil Dawn reads slightly lighter (LRV 55 vs 47), a gap that shows most in low-lit rooms.

Glacial Till
Bancha
Glacial Till
Bancha
Benjamin Moore
Glacial Till
AF-390 · LRV 47
Farrow & Ball
Bancha
LRV 13

Glacial Till reflects far more light (LRV 47 vs 13), opening up a space where Bancha encloses it.

Glacial Till
Hardwick White
Glacial Till
Hardwick White
Benjamin Moore
Glacial Till
AF-390 · LRV 47

Glacial Till reads slightly lighter (LRV 47 vs 44), a gap that shows most in low-lit rooms.

Glacial Till
Pure White
Glacial Till
Pure White
Benjamin Moore
Glacial Till
AF-390 · LRV 47

At LRV 84 vs 47, Pure White is decisively the brighter choice.

Glacial Till
Artichoke
Glacial Till
Artichoke
Benjamin Moore
Glacial Till
AF-390 · LRV 47
Sherwin-Williams
Artichoke
LRV 21

At LRV 47 vs 21, Glacial Till is decisively the brighter choice.

Balboa Mist
Glacial Till
Balboa Mist
Glacial Till
Benjamin Moore
Glacial Till
AF-390 · LRV 47

Balboa Mist reflects far more light (LRV 66 vs 47), opening up a space where Glacial Till encloses it.

Glacial Till
Shoji White
Glacial Till
Shoji White
Benjamin Moore
Glacial Till
AF-390 · LRV 47

Shoji White reflects far more light (LRV 74 vs 47), opening up a space where Glacial Till encloses it.

Glacial Till
Snowbound
Glacial Till
Snowbound
Benjamin Moore
Glacial Till
AF-390 · LRV 47
Sherwin-Williams
Snowbound
LRV 83

Snowbound reflects far more light (LRV 83 vs 47), opening up a space where Glacial Till encloses it.

Glacial Till
Pewter Green
Glacial Till
Pewter Green
Benjamin Moore
Glacial Till
AF-390 · LRV 47

Glacial Till reflects far more light (LRV 47 vs 12), opening up a space where Pewter Green encloses it.

Glacial Till
Skimming Stone
Glacial Till
Skimming Stone
Benjamin Moore
Glacial Till
AF-390 · LRV 47

Skimming Stone reflects far more light (LRV 68 vs 47), opening up a space where Glacial Till encloses it.

Glacial Till
Calamine
Glacial Till
Calamine
Benjamin Moore
Glacial Till
AF-390 · LRV 47
Farrow & Ball
Calamine
LRV 68

At LRV 68 vs 47, Calamine is decisively the brighter choice.

Glacial Till
Treron
Glacial Till
Treron
Benjamin Moore
Glacial Till
AF-390 · LRV 47
Farrow & Ball
Treron
LRV 25

At LRV 47 vs 25, Glacial Till is decisively the brighter choice.

Glacial Till
Vintage Vogue
Glacial Till
Vintage Vogue
Benjamin Moore
Glacial Till
AF-390 · LRV 47

Glacial Till reflects far more light (LRV 47 vs 12), opening up a space where Vintage Vogue encloses it.

Glacial Till
Saybrook Sage
Glacial Till
Saybrook Sage
Benjamin Moore
Glacial Till
AF-390 · LRV 47

With LRVs of 47 and 45, the two reflect almost the same amount of light.

Glacial Till
Pale Green
Glacial Till
Pale Green
Benjamin Moore
Glacial Till
AF-390 · LRV 47
RAL ClassicClassic
Pale Green
LRV 31

At LRV 47 vs 31, Glacial Till is decisively the brighter choice.

Glacial Till
Pine Needle
Glacial Till
Pine Needle
Benjamin Moore
Glacial Till
AF-390 · LRV 47

At LRV 47 vs 7, Glacial Till is decisively the brighter choice.

Glacial Till
Cement grey
Glacial Till
Cement grey
Benjamin Moore
Glacial Till
AF-390 · LRV 47
RAL ClassicClassic
Cement grey
LRV 24

At LRV 47 vs 24, Glacial Till is decisively the brighter choice.

Glacial Till
Guilford Green
Glacial Till
Guilford Green
Benjamin Moore
Glacial Till
AF-390 · LRV 47

A 10-point LRV gap (57 vs 47) makes Guilford Green the marginally brighter of the two.

Glacial Till
Just Walnut
Glacial Till
Just Walnut
Benjamin Moore
Glacial Till
AF-390 · LRV 47

At LRV 72 vs 47, Just Walnut is decisively the brighter choice.