Gray Owl vs Artichoke
Gray Owl is a Benjamin Moore color while Artichoke comes from Sherwin-Williams. Both sit in the grey family, which is useful context if you're narrowing within a single hue direction. At LRV 65 vs 21, Gray Owl will read as the brighter of the two — a 43-point gap that matters most in north-facing or low-light rooms. The tonal difference — Gray Owl's yellow character against Artichoke's neutral — becomes most visible against white trim or in morning light. At ΔE 33.4, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Gray Owl vs Artichoke in Real Spaces
3 real rooms side by side. Seeing Gray Owl and Artichoke in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. Gray Owl returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The LRV gap is large enough that Gray Owl will make the room feel meaningfully brighter than Artichoke would.
Color Details
Gray Owl vs Artichoke Simulated Comparison
5 simulated room previews — drag the slider on each to see Gray Owl on one side and Artichoke on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Gray Owl comparisons
See how Gray Owl stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 65, White Dove is decisively the brighter choice.
Gray Owl reflects far more light (LRV 65 vs 52), opening up a space where Purbeck Stone encloses it.
Gray Owl reflects far more light (LRV 65 vs 30), opening up a space where Evergreen Fog encloses it.
Gray Owl reads slightly lighter (LRV 65 vs 60), a gap that shows most in low-lit rooms.
A 7-point LRV gap (65 vs 58) makes Gray Owl the marginally brighter of the two.
At LRV 65 vs 27, Gray Owl is decisively the brighter choice.
Gray Owl reflects far more light (LRV 65 vs 43), opening up a space where French Gray encloses it.
A 10-point LRV gap (65 vs 55) makes Gray Owl the marginally brighter of the two.
At LRV 65 vs 44, Gray Owl is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 65), opening up a space where Gray Owl encloses it.
Their light reflectance is nearly identical (LRV 66 vs 65), so neither reads brighter in a room.
A 10-point LRV gap (74 vs 65) makes Shoji White the marginally brighter of the two.
At LRV 65 vs 12, Gray Owl is decisively the brighter choice.
A 4-point LRV gap (68 vs 65) makes Skimming Stone the marginally brighter of the two.
At LRV 65 vs 12, Gray Owl is decisively the brighter choice.
At LRV 65 vs 45, Gray Owl is decisively the brighter choice.
Gray Owl reflects far more light (LRV 65 vs 31), opening up a space where Pale Green encloses it.
Gray Owl reflects far more light (LRV 65 vs 7), opening up a space where Pine Needle encloses it.
Gray Owl reflects far more light (LRV 65 vs 24), opening up a space where Cement grey encloses it.
Gray Owl reads slightly lighter (LRV 65 vs 57), a gap that shows most in low-lit rooms.
Just Walnut reads slightly lighter (LRV 72 vs 65), a gap that shows most in low-lit rooms.