H2O vs Hicks' Blue

H2OBenjamin MoorevsHicks' BlueLittle GreeneΔE 39.5Very different colors

Where H2O belongs to Benjamin Moore's range, Hicks' Blue is a Little Greene color. These are both blues, so the question isn't which hue to choose — it's where within blue to land. H2O has an LRV of 50. H2O runs cool while Hicks' Blue is decidedly blue, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 39.5, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.

Color Details

H2O
Benjamin Moore · CC-878
LRV50.4
BrandBenjamin Moore
NumberCC-878
Undertone
TemperatureCool
BrightnessMedium
Hicks' Blue
Little Greene · 208
LRV
BrandLittle Greene
Number208
UndertoneBlue
Temperature
Brightness

H2O vs Hicks' Blue Simulated Comparison

5 simulated room previews — drag the slider on each to see H2O on one side and Hicks' Blue on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More H2O comparisons

See how H2O stacks up against other well-photographed colors across different brands and tones.

Ammonite
H2O
Ammonite
Benjamin Moore
H2O
CC-878 · LRV 50
Farrow & Ball
Ammonite
LRV 69

At LRV 69 vs 50, Ammonite is decisively the brighter choice.

White Dove
H2O
White Dove
Benjamin Moore
H2O
CC-878 · LRV 50

White Dove reflects far more light (LRV 83 vs 50), opening up a space where H2O encloses it.

Iron Ore
H2O
Iron Ore
Benjamin Moore
H2O
CC-878 · LRV 50

H2O reflects far more light (LRV 50 vs 6), opening up a space where Iron Ore encloses it.

Purbeck Stone
H2O
Purbeck Stone
Benjamin Moore
H2O
CC-878 · LRV 50

Their light reflectance is nearly identical (LRV 52 vs 50), so neither reads brighter in a room.

Evergreen Fog
H2O
Evergreen Fog
Benjamin Moore
H2O
CC-878 · LRV 50

At LRV 50 vs 30, H2O is decisively the brighter choice.

Mizzle
H2O
Mizzle
Benjamin Moore
H2O
CC-878 · LRV 50
Farrow & Ball
Mizzle
LRV 52

With LRVs of 52 and 50, the two reflect almost the same amount of light.

Agreeable Gray
H2O
Agreeable Gray
Benjamin Moore
H2O
CC-878 · LRV 50

A 10-point LRV gap (60 vs 50) makes Agreeable Gray the marginally brighter of the two.

Accessible Beige
H2O
Accessible Beige
Benjamin Moore
H2O
CC-878 · LRV 50

Accessible Beige reads slightly lighter (LRV 58 vs 50), a gap that shows most in low-lit rooms.

Denim Drift
H2O
Denim Drift
Benjamin Moore
H2O
CC-878 · LRV 50

H2O reflects far more light (LRV 50 vs 27), opening up a space where Denim Drift encloses it.

French Gray
H2O
French Gray
Benjamin Moore
H2O
CC-878 · LRV 50

A 7-point LRV gap (50 vs 43) makes H2O the marginally brighter of the two.

Naval
H2O
Naval
Benjamin Moore
H2O
CC-878 · LRV 50
Sherwin-Williams
Naval
LRV 4

At LRV 50 vs 4, H2O is decisively the brighter choice.

Tranquil Dawn
H2O
Tranquil Dawn
Benjamin Moore
H2O
CC-878 · LRV 50

Tranquil Dawn reads slightly lighter (LRV 55 vs 50), a gap that shows most in low-lit rooms.

Bancha
H2O
Bancha
Benjamin Moore
H2O
CC-878 · LRV 50
Farrow & Ball
Bancha
LRV 13

H2O reflects far more light (LRV 50 vs 13), opening up a space where Bancha encloses it.

Hardwick White
H2O
Hardwick White
Benjamin Moore
H2O
CC-878 · LRV 50

H2O reads slightly lighter (LRV 50 vs 44), a gap that shows most in low-lit rooms.

Pure White
H2O
Pure White
Benjamin Moore
H2O
CC-878 · LRV 50

At LRV 84 vs 50, Pure White is decisively the brighter choice.

Artichoke
H2O
Artichoke
Benjamin Moore
H2O
CC-878 · LRV 50
Sherwin-Williams
Artichoke
LRV 21

At LRV 50 vs 21, H2O is decisively the brighter choice.

Balboa Mist
Balboa Mist
H2O
Benjamin Moore
H2O
CC-878 · LRV 50

Balboa Mist reflects far more light (LRV 66 vs 50), opening up a space where H2O encloses it.

Shoji White
H2O
Shoji White
Benjamin Moore
H2O
CC-878 · LRV 50

Shoji White reflects far more light (LRV 74 vs 50), opening up a space where H2O encloses it.

Snowbound
H2O
Snowbound
Benjamin Moore
H2O
CC-878 · LRV 50
Sherwin-Williams
Snowbound
LRV 83

Snowbound reflects far more light (LRV 83 vs 50), opening up a space where H2O encloses it.

Pigeon
H2O
Pigeon
Benjamin Moore
H2O
CC-878 · LRV 50
Farrow & Ball
Pigeon
LRV 51

Their light reflectance is nearly identical (LRV 51 vs 50), so neither reads brighter in a room.

Pewter Green
H2O
Pewter Green
Benjamin Moore
H2O
CC-878 · LRV 50

H2O reflects far more light (LRV 50 vs 12), opening up a space where Pewter Green encloses it.

Duck Green
H2O
Duck Green
Benjamin Moore
H2O
CC-878 · LRV 50

H2O reflects far more light (LRV 50 vs 8), opening up a space where Duck Green encloses it.

Skimming Stone
H2O
Skimming Stone
Benjamin Moore
H2O
CC-878 · LRV 50

Skimming Stone reflects far more light (LRV 68 vs 50), opening up a space where H2O encloses it.

Dix Blue
H2O
Dix Blue
Benjamin Moore
H2O
CC-878 · LRV 50
Farrow & Ball
Dix Blue
LRV 41

A 9-point LRV gap (50 vs 41) makes H2O the marginally brighter of the two.

Slaked Lime Deep
H2O
Slaked Lime Deep
Benjamin Moore
H2O
CC-878 · LRV 50

H2O vs Slaked Lime Deep

Vintage Vogue
H2O
Vintage Vogue
Benjamin Moore
H2O
CC-878 · LRV 50

H2O reflects far more light (LRV 50 vs 12), opening up a space where Vintage Vogue encloses it.

Livid
H2O
Livid
Benjamin Moore
H2O
CC-878 · LRV 50

H2O vs Livid

Saybrook Sage
H2O
Saybrook Sage
Benjamin Moore
H2O
CC-878 · LRV 50

H2O reads slightly lighter (LRV 50 vs 45), a gap that shows most in low-lit rooms.

Pale Green
H2O
Pale Green
Benjamin Moore
H2O
CC-878 · LRV 50
RAL ClassicClassic
Pale Green
LRV 31

At LRV 50 vs 31, H2O is decisively the brighter choice.

Pine Needle
H2O
Pine Needle
Benjamin Moore
H2O
CC-878 · LRV 50

At LRV 50 vs 7, H2O is decisively the brighter choice.