Icing on the Cake vs Snowbound
Icing on the Cake (Benjamin Moore) and Snowbound (Sherwin-Williams) come from different manufacturers. Icing on the Cake reads as blue, while Snowbound reads as beige-greige — two distinct hue families, not close cousins. Their light reflectance values are nearly the same — 82 vs 83 — so neither will read significantly brighter or darker than the other. Where Icing on the Cake leans green and blue, Snowbound reads warm — a distinction that shifts noticeably depending on the light source and surrounding finishes. ΔE 8.1 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Icing on the Cake vs Snowbound Simulated Comparison
5 simulated room previews — drag the slider on each to see Icing on the Cake on one side and Snowbound on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Icing on the Cake comparisons
See how Icing on the Cake stacks up against other well-photographed colors across different brands and tones.
Their light reflectance is nearly identical (LRV 83 vs 82), so neither reads brighter in a room.
Icing on the Cake reflects far more light (LRV 82 vs 69), opening up a space where Ammonite encloses it.
At LRV 82 vs 6, Icing on the Cake is decisively the brighter choice.
Icing on the Cake reflects far more light (LRV 82 vs 52), opening up a space where Purbeck Stone encloses it.
Icing on the Cake reflects far more light (LRV 82 vs 30), opening up a space where Evergreen Fog encloses it.
At LRV 82 vs 52, Icing on the Cake is decisively the brighter choice.
Icing on the Cake reflects far more light (LRV 82 vs 60), opening up a space where Agreeable Gray encloses it.
At LRV 82 vs 58, Icing on the Cake is decisively the brighter choice.
At LRV 82 vs 27, Icing on the Cake is decisively the brighter choice.
Icing on the Cake reflects far more light (LRV 82 vs 43), opening up a space where French Gray encloses it.
Icing on the Cake reflects far more light (LRV 82 vs 4), opening up a space where Naval encloses it.
At LRV 82 vs 55, Icing on the Cake is decisively the brighter choice.
At LRV 82 vs 13, Icing on the Cake is decisively the brighter choice.
At LRV 82 vs 44, Icing on the Cake is decisively the brighter choice.
With LRVs of 84 and 82, the two reflect almost the same amount of light.
Icing on the Cake reflects far more light (LRV 82 vs 21), opening up a space where Artichoke encloses it.
At LRV 82 vs 66, Icing on the Cake is decisively the brighter choice.
A 7-point LRV gap (82 vs 74) makes Icing on the Cake the marginally brighter of the two.
At LRV 82 vs 12, Icing on the Cake is decisively the brighter choice.
At LRV 82 vs 68, Icing on the Cake is decisively the brighter choice.
Icing on the Cake reflects far more light (LRV 82 vs 41), opening up a space where Dix Blue encloses it.
Icing on the Cake reflects far more light (LRV 82 vs 68), opening up a space where Calamine encloses it.
Icing on the Cake reflects far more light (LRV 82 vs 25), opening up a space where Treron encloses it.
At LRV 82 vs 12, Icing on the Cake is decisively the brighter choice.
At LRV 82 vs 45, Icing on the Cake is decisively the brighter choice.
Icing on the Cake reflects far more light (LRV 82 vs 31), opening up a space where Pale Green encloses it.
Icing on the Cake reflects far more light (LRV 82 vs 7), opening up a space where Pine Needle encloses it.
Icing on the Cake reflects far more light (LRV 82 vs 24), opening up a space where Cement grey encloses it.
Icing on the Cake reflects far more light (LRV 82 vs 57), opening up a space where Guilford Green encloses it.
Icing on the Cake reads slightly lighter (LRV 82 vs 72), a gap that shows most in low-lit rooms.