In the Midnight Hour vs French Gray
In the Midnight Hour is a Benjamin Moore color while French Gray comes from Farrow & Ball. Hue-wise, In the Midnight Hour belongs to the blue family and French Gray to the beige-greige family. At LRV 43 vs 10, French Gray will read as the brighter of the two — a 33-point gap that matters most in north-facing or low-light rooms. The tonal difference — In the Midnight Hour's blue character against French Gray's warm — becomes most visible against white trim or in morning light. At ΔE 43.0, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
In the Midnight Hour vs French Gray Simulated Comparison
5 simulated room previews — drag the slider on each to see In the Midnight Hour on one side and French Gray on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More In the Midnight Hour comparisons
See how In the Midnight Hour stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 10, White Dove is decisively the brighter choice.
Ammonite reflects far more light (LRV 69 vs 10), opening up a space where In the Midnight Hour encloses it.
A 5-point LRV gap (10 vs 6) makes In the Midnight Hour the marginally brighter of the two.
Purbeck Stone reflects far more light (LRV 52 vs 10), opening up a space where In the Midnight Hour encloses it.
Evergreen Fog reflects far more light (LRV 30 vs 10), opening up a space where In the Midnight Hour encloses it.
At LRV 52 vs 10, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 10), opening up a space where In the Midnight Hour encloses it.
At LRV 58 vs 10, Accessible Beige is decisively the brighter choice.
At LRV 27 vs 10, Denim Drift is decisively the brighter choice.
In the Midnight Hour reads slightly lighter (LRV 10 vs 4), a gap that shows most in low-lit rooms.
At LRV 55 vs 10, Tranquil Dawn is decisively the brighter choice.
A 3-point LRV gap (13 vs 10) makes Bancha the marginally brighter of the two.
At LRV 44 vs 10, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 10), opening up a space where In the Midnight Hour encloses it.
Artichoke reads slightly lighter (LRV 21 vs 10), a gap that shows most in low-lit rooms.
At LRV 66 vs 10, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 10, Shoji White is decisively the brighter choice.
At LRV 83 vs 10, Snowbound is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 12 vs 10), so neither reads brighter in a room.
At LRV 68 vs 10, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 10), opening up a space where In the Midnight Hour encloses it.
Calamine reflects far more light (LRV 68 vs 10), opening up a space where In the Midnight Hour encloses it.
Treron reflects far more light (LRV 25 vs 10), opening up a space where In the Midnight Hour encloses it.
Their light reflectance is nearly identical (LRV 12 vs 10), so neither reads brighter in a room.
At LRV 45 vs 10, Saybrook Sage is decisively the brighter choice.
Pale Green reflects far more light (LRV 31 vs 10), opening up a space where In the Midnight Hour encloses it.
In the Midnight Hour reads slightly lighter (LRV 10 vs 7), a gap that shows most in low-lit rooms.
Cement grey reflects far more light (LRV 24 vs 10), opening up a space where In the Midnight Hour encloses it.
Guilford Green reflects far more light (LRV 57 vs 10), opening up a space where In the Midnight Hour encloses it.
Just Walnut reflects far more light (LRV 72 vs 10), opening up a space where In the Midnight Hour encloses it.