In the Tropics vs Wilmington Spruce paint color comparison

In the Tropics vs Wilmington Spruce

Both from Benjamin Moore's palette. Both sit in the blue family, which is useful context if you're narrowing within a single hue direction. They have nearly identical light reflectance values (28 vs 26), so they'll read as similarly Medium in most lighting conditions. Both lean blue, so they'll behave similarly in mixed or changing light conditions. The ΔE 3.7 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.

Color Details

In the Tropics
Benjamin Moore · CSP-640
Hex#3B98A2
LRV27.8
BrandBenjamin Moore
NumberCSP-640
UndertoneBlue
TemperatureCool
BrightnessMedium
Wilmington Spruce
Benjamin Moore · 754
Hex#3292A1
LRV25.7
BrandBenjamin Moore
Number754
UndertoneBlue
TemperatureCool
BrightnessMedium

In the Tropics vs Wilmington Spruce Simulated Comparison

5 simulated room previews — drag the slider on each to see In the Tropics on one side and Wilmington Spruce on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More In the Tropics comparisons

See how In the Tropics stacks up against other well-photographed colors across different brands and tones.

White Dove
In the Tropics
White Dove
Benjamin Moore
In the Tropics
CSP-640 · LRV 28

White Dove reflects far more light (LRV 83 vs 28), opening up a space where In the Tropics encloses it.

Ammonite
In the Tropics
Ammonite
Benjamin Moore
In the Tropics
CSP-640 · LRV 28
Farrow & Ball
Ammonite
LRV 69

At LRV 69 vs 28, Ammonite is decisively the brighter choice.

Iron Ore
In the Tropics
Iron Ore
Benjamin Moore
In the Tropics
CSP-640 · LRV 28

In the Tropics reflects far more light (LRV 28 vs 6), opening up a space where Iron Ore encloses it.

Purbeck Stone
In the Tropics
Purbeck Stone
Benjamin Moore
In the Tropics
CSP-640 · LRV 28

At LRV 52 vs 28, Purbeck Stone is decisively the brighter choice.

Evergreen Fog
In the Tropics
Evergreen Fog
Benjamin Moore
In the Tropics
CSP-640 · LRV 28

Their light reflectance is nearly identical (LRV 30 vs 28), so neither reads brighter in a room.

Mizzle
In the Tropics
Mizzle
Benjamin Moore
In the Tropics
CSP-640 · LRV 28
Farrow & Ball
Mizzle
LRV 52

Mizzle reflects far more light (LRV 52 vs 28), opening up a space where In the Tropics encloses it.

Agreeable Gray
In the Tropics
Agreeable Gray
Benjamin Moore
In the Tropics
CSP-640 · LRV 28

At LRV 60 vs 28, Agreeable Gray is decisively the brighter choice.

Accessible Beige
In the Tropics
Accessible Beige
Benjamin Moore
In the Tropics
CSP-640 · LRV 28

Accessible Beige reflects far more light (LRV 58 vs 28), opening up a space where In the Tropics encloses it.

Denim Drift
In the Tropics
Denim Drift
Benjamin Moore
In the Tropics
CSP-640 · LRV 28

With LRVs of 28 and 27, the two reflect almost the same amount of light.

French Gray
In the Tropics
French Gray
Benjamin Moore
In the Tropics
CSP-640 · LRV 28

At LRV 43 vs 28, French Gray is decisively the brighter choice.

Naval
In the Tropics
Naval
Benjamin Moore
In the Tropics
CSP-640 · LRV 28
Sherwin-Williams
Naval
LRV 4

At LRV 28 vs 4, In the Tropics is decisively the brighter choice.

Tranquil Dawn
In the Tropics
Tranquil Dawn
Benjamin Moore
In the Tropics
CSP-640 · LRV 28

Tranquil Dawn reflects far more light (LRV 55 vs 28), opening up a space where In the Tropics encloses it.

Bancha
In the Tropics
Bancha
Benjamin Moore
In the Tropics
CSP-640 · LRV 28
Farrow & Ball
Bancha
LRV 13

In the Tropics reflects far more light (LRV 28 vs 13), opening up a space where Bancha encloses it.

Hardwick White
In the Tropics
Hardwick White
Benjamin Moore
In the Tropics
CSP-640 · LRV 28

Hardwick White reflects far more light (LRV 44 vs 28), opening up a space where In the Tropics encloses it.

Pure White
In the Tropics
Pure White
Benjamin Moore
In the Tropics
CSP-640 · LRV 28

At LRV 84 vs 28, Pure White is decisively the brighter choice.

Artichoke
In the Tropics
Artichoke
Benjamin Moore
In the Tropics
CSP-640 · LRV 28
Sherwin-Williams
Artichoke
LRV 21

A 6-point LRV gap (28 vs 21) makes In the Tropics the marginally brighter of the two.

Balboa Mist
Balboa Mist
In the Tropics
Benjamin Moore
In the Tropics
CSP-640 · LRV 28

Balboa Mist reflects far more light (LRV 66 vs 28), opening up a space where In the Tropics encloses it.

Shoji White
In the Tropics
Shoji White
Benjamin Moore
In the Tropics
CSP-640 · LRV 28

Shoji White reflects far more light (LRV 74 vs 28), opening up a space where In the Tropics encloses it.

Snowbound
In the Tropics
Snowbound
Benjamin Moore
In the Tropics
CSP-640 · LRV 28
Sherwin-Williams
Snowbound
LRV 83

Snowbound reflects far more light (LRV 83 vs 28), opening up a space where In the Tropics encloses it.

Pewter Green
In the Tropics
Pewter Green
Benjamin Moore
In the Tropics
CSP-640 · LRV 28

In the Tropics reflects far more light (LRV 28 vs 12), opening up a space where Pewter Green encloses it.

Skimming Stone
In the Tropics
Skimming Stone
Benjamin Moore
In the Tropics
CSP-640 · LRV 28

Skimming Stone reflects far more light (LRV 68 vs 28), opening up a space where In the Tropics encloses it.

Dix Blue
In the Tropics
Dix Blue
Benjamin Moore
In the Tropics
CSP-640 · LRV 28
Farrow & Ball
Dix Blue
LRV 41

At LRV 41 vs 28, Dix Blue is decisively the brighter choice.

Calamine
In the Tropics
Calamine
Benjamin Moore
In the Tropics
CSP-640 · LRV 28
Farrow & Ball
Calamine
LRV 68

At LRV 68 vs 28, Calamine is decisively the brighter choice.

Treron
In the Tropics
Treron
Benjamin Moore
In the Tropics
CSP-640 · LRV 28
Farrow & Ball
Treron
LRV 25

Their light reflectance is nearly identical (LRV 28 vs 25), so neither reads brighter in a room.

Vintage Vogue
In the Tropics
Vintage Vogue
Benjamin Moore
In the Tropics
CSP-640 · LRV 28

In the Tropics reflects far more light (LRV 28 vs 12), opening up a space where Vintage Vogue encloses it.

Saybrook Sage
In the Tropics
Saybrook Sage
Benjamin Moore
In the Tropics
CSP-640 · LRV 28

Saybrook Sage reflects far more light (LRV 45 vs 28), opening up a space where In the Tropics encloses it.

Pale Green
In the Tropics
Pale Green
Benjamin Moore
In the Tropics
CSP-640 · LRV 28
RAL ClassicClassic
Pale Green
LRV 31

A 3-point LRV gap (31 vs 28) makes Pale Green the marginally brighter of the two.

Pine Needle
In the Tropics
Pine Needle
Benjamin Moore
In the Tropics
CSP-640 · LRV 28

At LRV 28 vs 7, In the Tropics is decisively the brighter choice.

Cement grey
In the Tropics
Cement grey
Benjamin Moore
In the Tropics
CSP-640 · LRV 28
RAL ClassicClassic
Cement grey
LRV 24

A 4-point LRV gap (28 vs 24) makes In the Tropics the marginally brighter of the two.

Guilford Green
Guilford Green
In the Tropics
Benjamin Moore
In the Tropics
CSP-640 · LRV 28

At LRV 57 vs 28, Guilford Green is decisively the brighter choice.