In the Twilight vs Skimming Stone
In the Twilight (Benjamin Moore) and Skimming Stone (Farrow & Ball) come from different manufacturers. Hue-wise, In the Twilight belongs to the blue-grey family and Skimming Stone to the beige-greige family. The 46-point LRV gap — 68 for Skimming Stone vs 22 for In the Twilight — means Skimming Stone will open up a space more effectively. Where In the Twilight leans cool, Skimming Stone reads warm — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 38.7 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
In the Twilight vs Skimming Stone Simulated Comparison
5 simulated room previews — drag the slider on each to see In the Twilight on one side and Skimming Stone on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More In the Twilight comparisons
See how In the Twilight stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 22, White Dove is decisively the brighter choice.
Ammonite reflects far more light (LRV 69 vs 22), opening up a space where In the Twilight encloses it.
At LRV 22 vs 6, In the Twilight is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 22), opening up a space where In the Twilight encloses it.
Evergreen Fog reads slightly lighter (LRV 30 vs 22), a gap that shows most in low-lit rooms.
At LRV 52 vs 22, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 22), opening up a space where In the Twilight encloses it.
At LRV 58 vs 22, Accessible Beige is decisively the brighter choice.
A 5-point LRV gap (27 vs 22) makes Denim Drift the marginally brighter of the two.
French Gray reflects far more light (LRV 43 vs 22), opening up a space where In the Twilight encloses it.
In the Twilight reflects far more light (LRV 22 vs 4), opening up a space where Naval encloses it.
At LRV 55 vs 22, Tranquil Dawn is decisively the brighter choice.
A 8-point LRV gap (22 vs 13) makes In the Twilight the marginally brighter of the two.
At LRV 44 vs 22, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 22), opening up a space where In the Twilight encloses it.
With LRVs of 22 and 21, the two reflect almost the same amount of light.
At LRV 66 vs 22, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 22, Shoji White is decisively the brighter choice.
At LRV 83 vs 22, Snowbound is decisively the brighter choice.
A 10-point LRV gap (22 vs 12) makes In the Twilight the marginally brighter of the two.
Dix Blue reflects far more light (LRV 41 vs 22), opening up a space where In the Twilight encloses it.
Calamine reflects far more light (LRV 68 vs 22), opening up a space where In the Twilight encloses it.
Treron reads slightly lighter (LRV 25 vs 22), a gap that shows most in low-lit rooms.
A 10-point LRV gap (22 vs 12) makes In the Twilight the marginally brighter of the two.
At LRV 45 vs 22, Saybrook Sage is decisively the brighter choice.
Pale Green reads slightly lighter (LRV 31 vs 22), a gap that shows most in low-lit rooms.
In the Twilight reflects far more light (LRV 22 vs 7), opening up a space where Pine Needle encloses it.
With LRVs of 24 and 22, the two reflect almost the same amount of light.
Guilford Green reflects far more light (LRV 57 vs 22), opening up a space where In the Twilight encloses it.
Just Walnut reflects far more light (LRV 72 vs 22), opening up a space where In the Twilight encloses it.