In the Twilight vs Luxe
Both are Benjamin Moore colors. Both sit in the blue-grey family, which is useful context if you're narrowing within a single hue direction. With LRVs of 22 and 22, they'll behave almost identically in terms of how much light they reflect back into a room. The tonal difference — In the Twilight's cool character against Luxe's blue — becomes most visible against white trim or in morning light. With a ΔE of 0.0, the difference is subtle — you'd need them side by side to reliably tell them apart. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
In the Twilight vs Luxe Simulated Comparison
5 simulated room previews — drag the slider on each to see In the Twilight on one side and Luxe on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More In the Twilight comparisons
See how In the Twilight stacks up against other well-photographed colors across different brands and tones.
At LRV 69 vs 22, Ammonite is decisively the brighter choice.
White Dove reflects far more light (LRV 83 vs 22), opening up a space where In the Twilight encloses it.
In the Twilight reflects far more light (LRV 22 vs 6), opening up a space where Iron Ore encloses it.
At LRV 52 vs 22, Purbeck Stone is decisively the brighter choice.
A 9-point LRV gap (30 vs 22) makes Evergreen Fog the marginally brighter of the two.
Mizzle reflects far more light (LRV 52 vs 22), opening up a space where In the Twilight encloses it.
At LRV 60 vs 22, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 22), opening up a space where In the Twilight encloses it.
Denim Drift reads slightly lighter (LRV 27 vs 22), a gap that shows most in low-lit rooms.
At LRV 43 vs 22, French Gray is decisively the brighter choice.
At LRV 22 vs 4, In the Twilight is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 22), opening up a space where In the Twilight encloses it.
In the Twilight reads slightly lighter (LRV 22 vs 13), a gap that shows most in low-lit rooms.
Hardwick White reflects far more light (LRV 44 vs 22), opening up a space where In the Twilight encloses it.
At LRV 84 vs 22, Pure White is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 22 vs 21), so neither reads brighter in a room.
Balboa Mist reflects far more light (LRV 66 vs 22), opening up a space where In the Twilight encloses it.
Shoji White reflects far more light (LRV 74 vs 22), opening up a space where In the Twilight encloses it.
Snowbound reflects far more light (LRV 83 vs 22), opening up a space where In the Twilight encloses it.
At LRV 51 vs 22, Pigeon is decisively the brighter choice.
In the Twilight reads slightly lighter (LRV 22 vs 12), a gap that shows most in low-lit rooms.
In the Twilight reflects far more light (LRV 22 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 22), opening up a space where In the Twilight encloses it.
At LRV 41 vs 22, Dix Blue is decisively the brighter choice.
In the Twilight reads slightly lighter (LRV 22 vs 12), a gap that shows most in low-lit rooms.
Saybrook Sage reflects far more light (LRV 45 vs 22), opening up a space where In the Twilight encloses it.
A 9-point LRV gap (31 vs 22) makes Pale Green the marginally brighter of the two.