Innocence vs Mizzle
Innocence is a Benjamin Moore color while Mizzle comes from Farrow & Ball. Innocence reads as blue, while Mizzle reads as grey — two distinct hue families, not close cousins. At LRV 79 vs 52, Innocence will read as the brighter of the two — a 28-point gap that matters most in north-facing or low-light rooms. The tonal difference — Innocence's blue character against Mizzle's warm — becomes most visible against white trim or in morning light. At ΔE 19.5, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Innocence vs Mizzle Simulated Comparison
5 simulated room previews — drag the slider on each to see Innocence on one side and Mizzle on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Innocence comparisons
See how Innocence stacks up against other well-photographed colors across different brands and tones.
A 4-point LRV gap (83 vs 79) makes White Dove the marginally brighter of the two.
Innocence reflects far more light (LRV 79 vs 52), opening up a space where Purbeck Stone encloses it.
Innocence reflects far more light (LRV 79 vs 30), opening up a space where Evergreen Fog encloses it.
Innocence reflects far more light (LRV 79 vs 60), opening up a space where Agreeable Gray encloses it.
At LRV 79 vs 58, Innocence is decisively the brighter choice.
At LRV 79 vs 27, Innocence is decisively the brighter choice.
Innocence reflects far more light (LRV 79 vs 43), opening up a space where French Gray encloses it.
At LRV 79 vs 55, Innocence is decisively the brighter choice.
At LRV 79 vs 44, Innocence is decisively the brighter choice.
Pure White reads slightly lighter (LRV 84 vs 79), a gap that shows most in low-lit rooms.
At LRV 79 vs 66, Innocence is decisively the brighter choice.
A 5-point LRV gap (79 vs 74) makes Innocence the marginally brighter of the two.
At LRV 79 vs 12, Innocence is decisively the brighter choice.
A 11-point LRV gap (79 vs 68) makes Innocence the marginally brighter of the two.
At LRV 79 vs 12, Innocence is decisively the brighter choice.
At LRV 79 vs 45, Innocence is decisively the brighter choice.
Innocence reflects far more light (LRV 79 vs 31), opening up a space where Pale Green encloses it.
Innocence reflects far more light (LRV 79 vs 7), opening up a space where Pine Needle encloses it.
Innocence reflects far more light (LRV 79 vs 24), opening up a space where Cement grey encloses it.
Innocence reflects far more light (LRV 79 vs 57), opening up a space where Guilford Green encloses it.
Innocence reads slightly lighter (LRV 79 vs 72), a gap that shows most in low-lit rooms.