Interlude vs Pensive paint color comparison

Interlude vs Pensive

InterludeBenjamin MoorevsPensiveBenjamin MooreΔE 3.6Noticeable difference

Both from Benjamin Moore's palette. These are both beige-greiges, so the question isn't which hue to choose — it's where within beige-greige to land. Pensive (LRV 42) reflects noticeably more light than Interlude (LRV 38), a difference of 4 points that becomes especially apparent in rooms with limited natural light. Both lean red, so they'll behave similarly in mixed or changing light conditions. The ΔE 3.6 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.

Color Details

Interlude
Benjamin Moore · AF-135
Hex#B8A28A
LRV37.6
BrandBenjamin Moore
NumberAF-135
UndertoneRed
TemperatureWarm
BrightnessMedium
Pensive
Benjamin Moore · AF-140
Hex#BDAA95
LRV42.0
BrandBenjamin Moore
NumberAF-140
UndertoneRed
TemperatureWarm
BrightnessMedium

Interlude vs Pensive Simulated Comparison

5 simulated room previews — drag the slider on each to see Interlude on one side and Pensive on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Interlude comparisons

See how Interlude stacks up against other well-photographed colors across different brands and tones.

White Dove
Interlude
White Dove
Benjamin Moore
Interlude
AF-135 · LRV 38

White Dove reflects far more light (LRV 83 vs 38), opening up a space where Interlude encloses it.

Ammonite
Interlude
Ammonite
Benjamin Moore
Interlude
AF-135 · LRV 38
Farrow & Ball
Ammonite
LRV 69

At LRV 69 vs 38, Ammonite is decisively the brighter choice.

Iron Ore
Interlude
Iron Ore
Benjamin Moore
Interlude
AF-135 · LRV 38

Interlude reflects far more light (LRV 38 vs 6), opening up a space where Iron Ore encloses it.

Purbeck Stone
Interlude
Purbeck Stone
Benjamin Moore
Interlude
AF-135 · LRV 38

At LRV 52 vs 38, Purbeck Stone is decisively the brighter choice.

Evergreen Fog
Interlude
Evergreen Fog
Benjamin Moore
Interlude
AF-135 · LRV 38

A 7-point LRV gap (38 vs 30) makes Interlude the marginally brighter of the two.

Mizzle
Interlude
Mizzle
Benjamin Moore
Interlude
AF-135 · LRV 38
Farrow & Ball
Mizzle
LRV 52

Mizzle reflects far more light (LRV 52 vs 38), opening up a space where Interlude encloses it.

Agreeable Gray
Interlude
Agreeable Gray
Benjamin Moore
Interlude
AF-135 · LRV 38

At LRV 60 vs 38, Agreeable Gray is decisively the brighter choice.

Accessible Beige
Interlude
Accessible Beige
Benjamin Moore
Interlude
AF-135 · LRV 38

Accessible Beige reflects far more light (LRV 58 vs 38), opening up a space where Interlude encloses it.

Denim Drift
Interlude
Denim Drift
Benjamin Moore
Interlude
AF-135 · LRV 38

Interlude reads slightly lighter (LRV 38 vs 27), a gap that shows most in low-lit rooms.

French Gray
Interlude
French Gray
Benjamin Moore
Interlude
AF-135 · LRV 38

A 6-point LRV gap (43 vs 38) makes French Gray the marginally brighter of the two.

Naval
Interlude
Naval
Benjamin Moore
Interlude
AF-135 · LRV 38
Sherwin-Williams
Naval
LRV 4

At LRV 38 vs 4, Interlude is decisively the brighter choice.

Tranquil Dawn
Interlude
Tranquil Dawn
Benjamin Moore
Interlude
AF-135 · LRV 38

Tranquil Dawn reflects far more light (LRV 55 vs 38), opening up a space where Interlude encloses it.

Bancha
Interlude
Bancha
Benjamin Moore
Interlude
AF-135 · LRV 38
Farrow & Ball
Bancha
LRV 13

Interlude reflects far more light (LRV 38 vs 13), opening up a space where Bancha encloses it.

Hardwick White
Interlude
Hardwick White
Benjamin Moore
Interlude
AF-135 · LRV 38

Hardwick White reads slightly lighter (LRV 44 vs 38), a gap that shows most in low-lit rooms.

Pure White
Interlude
Pure White
Benjamin Moore
Interlude
AF-135 · LRV 38

At LRV 84 vs 38, Pure White is decisively the brighter choice.

Artichoke
Interlude
Artichoke
Benjamin Moore
Interlude
AF-135 · LRV 38
Sherwin-Williams
Artichoke
LRV 21

At LRV 38 vs 21, Interlude is decisively the brighter choice.

Balboa Mist
Balboa Mist
Interlude
Benjamin Moore
Interlude
AF-135 · LRV 38

Balboa Mist reflects far more light (LRV 66 vs 38), opening up a space where Interlude encloses it.

Shoji White
Interlude
Shoji White
Benjamin Moore
Interlude
AF-135 · LRV 38

Shoji White reflects far more light (LRV 74 vs 38), opening up a space where Interlude encloses it.

Snowbound
Interlude
Snowbound
Benjamin Moore
Interlude
AF-135 · LRV 38
Sherwin-Williams
Snowbound
LRV 83

Snowbound reflects far more light (LRV 83 vs 38), opening up a space where Interlude encloses it.

Pewter Green
Interlude
Pewter Green
Benjamin Moore
Interlude
AF-135 · LRV 38

Interlude reflects far more light (LRV 38 vs 12), opening up a space where Pewter Green encloses it.

Skimming Stone
Interlude
Skimming Stone
Benjamin Moore
Interlude
AF-135 · LRV 38

Skimming Stone reflects far more light (LRV 68 vs 38), opening up a space where Interlude encloses it.

Dix Blue
Interlude
Dix Blue
Benjamin Moore
Interlude
AF-135 · LRV 38
Farrow & Ball
Dix Blue
LRV 41

A 3-point LRV gap (41 vs 38) makes Dix Blue the marginally brighter of the two.

Calamine
Interlude
Calamine
Benjamin Moore
Interlude
AF-135 · LRV 38
Farrow & Ball
Calamine
LRV 68

At LRV 68 vs 38, Calamine is decisively the brighter choice.

Treron
Interlude
Treron
Benjamin Moore
Interlude
AF-135 · LRV 38
Farrow & Ball
Treron
LRV 25

At LRV 38 vs 25, Interlude is decisively the brighter choice.

Vintage Vogue
Interlude
Vintage Vogue
Benjamin Moore
Interlude
AF-135 · LRV 38

Interlude reflects far more light (LRV 38 vs 12), opening up a space where Vintage Vogue encloses it.

Saybrook Sage
Interlude
Saybrook Sage
Benjamin Moore
Interlude
AF-135 · LRV 38

Saybrook Sage reads slightly lighter (LRV 45 vs 38), a gap that shows most in low-lit rooms.

Pale Green
Interlude
Pale Green
Benjamin Moore
Interlude
AF-135 · LRV 38
RAL ClassicClassic
Pale Green
LRV 31

A 6-point LRV gap (38 vs 31) makes Interlude the marginally brighter of the two.

Pine Needle
Interlude
Pine Needle
Benjamin Moore
Interlude
AF-135 · LRV 38

At LRV 38 vs 7, Interlude is decisively the brighter choice.

Cement grey
Interlude
Cement grey
Benjamin Moore
Interlude
AF-135 · LRV 38
RAL ClassicClassic
Cement grey
LRV 24

At LRV 38 vs 24, Interlude is decisively the brighter choice.

Guilford Green
Guilford Green
Interlude
Benjamin Moore
Interlude
AF-135 · LRV 38

At LRV 57 vs 38, Guilford Green is decisively the brighter choice.