
Jack Pine vs New London Burgundy
Jack Pine and New London Burgundy come from the same Benjamin Moore collection. Jack Pine reads as green-grey, while New London Burgundy reads as pink — two distinct hue families, not close cousins. The 7-point LRV gap — 16 for Jack Pine vs 10 for New London Burgundy — means Jack Pine will open up a space more effectively. Where Jack Pine leans green, New London Burgundy reads red — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 30.2 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Jack Pine vs New London Burgundy in Real Spaces
2 real rooms side by side. Seeing Jack Pine and New London Burgundy in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. Jack Pine has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Kitchen Cabinets
Cabinet color is always seen in context — against countertops, backsplash, and hardware — which amplifies undertone differences that might disappear on a plain wall. Jack Pine has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Color Details
Jack Pine vs New London Burgundy Simulated Comparison
5 simulated room previews — drag the slider on each to see Jack Pine on one side and New London Burgundy on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Jack Pine comparisons
See how Jack Pine stacks up against other well-photographed colors across different brands and tones.


White Dove reflects far more light (LRV 83 vs 16), opening up a space where Jack Pine encloses it.


At LRV 52 vs 16, Purbeck Stone is decisively the brighter choice.


At LRV 30 vs 16, Evergreen Fog is decisively the brighter choice.


At LRV 60 vs 16, Agreeable Gray is decisively the brighter choice.


Accessible Beige reflects far more light (LRV 58 vs 16), opening up a space where Jack Pine encloses it.


Denim Drift reads slightly lighter (LRV 27 vs 16), a gap that shows most in low-lit rooms.


At LRV 43 vs 16, French Gray is decisively the brighter choice.


Tranquil Dawn reflects far more light (LRV 55 vs 16), opening up a space where Jack Pine encloses it.


Hardwick White reflects far more light (LRV 44 vs 16), opening up a space where Jack Pine encloses it.


At LRV 84 vs 16, Pure White is decisively the brighter choice.


Balboa Mist reflects far more light (LRV 66 vs 16), opening up a space where Jack Pine encloses it.


Shoji White reflects far more light (LRV 74 vs 16), opening up a space where Jack Pine encloses it.


Jack Pine reads slightly lighter (LRV 16 vs 12), a gap that shows most in low-lit rooms.


Skimming Stone reflects far more light (LRV 68 vs 16), opening up a space where Jack Pine encloses it.


Jack Pine reads slightly lighter (LRV 16 vs 12), a gap that shows most in low-lit rooms.


Saybrook Sage reflects far more light (LRV 45 vs 16), opening up a space where Jack Pine encloses it.


At LRV 31 vs 16, Pale Green is decisively the brighter choice.


A 9-point LRV gap (16 vs 7) makes Jack Pine the marginally brighter of the two.


A 8-point LRV gap (24 vs 16) makes Cement grey the marginally brighter of the two.


At LRV 57 vs 16, Guilford Green is decisively the brighter choice.






















