
Jack Pine vs Royal Flush
Jack Pine and Royal Flush come from the same Benjamin Moore collection. Hue-wise, Jack Pine belongs to the green-grey family and Royal Flush to the pink family. The 4-point LRV gap — 16 for Jack Pine vs 12 for Royal Flush — means Jack Pine will open up a space more effectively. Where Jack Pine leans green, Royal Flush reads red — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 58.0 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Jack Pine vs Royal Flush in Real Spaces
1 real room side by side. Seeing Jack Pine and Royal Flush in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. Jack Pine has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Color Details
Jack Pine vs Royal Flush Simulated Comparison
5 simulated room previews — drag the slider on each to see Jack Pine on one side and Royal Flush on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Jack Pine comparisons
See how Jack Pine stacks up against other well-photographed colors across different brands and tones.


White Dove reflects far more light (LRV 83 vs 16), opening up a space where Jack Pine encloses it.


At LRV 52 vs 16, Purbeck Stone is decisively the brighter choice.


At LRV 30 vs 16, Evergreen Fog is decisively the brighter choice.


At LRV 60 vs 16, Agreeable Gray is decisively the brighter choice.


Accessible Beige reflects far more light (LRV 58 vs 16), opening up a space where Jack Pine encloses it.


Denim Drift reads slightly lighter (LRV 27 vs 16), a gap that shows most in low-lit rooms.


At LRV 43 vs 16, French Gray is decisively the brighter choice.


Tranquil Dawn reflects far more light (LRV 55 vs 16), opening up a space where Jack Pine encloses it.


Hardwick White reflects far more light (LRV 44 vs 16), opening up a space where Jack Pine encloses it.


At LRV 84 vs 16, Pure White is decisively the brighter choice.


Balboa Mist reflects far more light (LRV 66 vs 16), opening up a space where Jack Pine encloses it.


Shoji White reflects far more light (LRV 74 vs 16), opening up a space where Jack Pine encloses it.


Jack Pine reads slightly lighter (LRV 16 vs 12), a gap that shows most in low-lit rooms.


Skimming Stone reflects far more light (LRV 68 vs 16), opening up a space where Jack Pine encloses it.


Jack Pine reads slightly lighter (LRV 16 vs 12), a gap that shows most in low-lit rooms.


Saybrook Sage reflects far more light (LRV 45 vs 16), opening up a space where Jack Pine encloses it.


At LRV 31 vs 16, Pale Green is decisively the brighter choice.


A 9-point LRV gap (16 vs 7) makes Jack Pine the marginally brighter of the two.


A 8-point LRV gap (24 vs 16) makes Cement grey the marginally brighter of the two.


At LRV 57 vs 16, Guilford Green is decisively the brighter choice.





















