
Jamestown Blue vs James
Jamestown Blue is a Benjamin Moore color while James comes from Little Greene. Hue-wise, Jamestown Blue belongs to the blue family and James to the blue-grey family. At LRV 34 vs 30, Jamestown Blue will read as the brighter of the two — a 4-point gap that matters most in north-facing or low-light rooms. They share a blue quality — useful to know if you're layering them in the same space. At ΔE 6.1, the difference is perceptible but not dramatic — the two can work harmoniously in the same space. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Jamestown Blue vs James in Real Spaces
1 real room side by side. Jamestown Blue and James are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. Jamestown Blue has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Color Details
Jamestown Blue vs James Simulated Comparison
5 simulated room previews — drag the slider on each to see Jamestown Blue on one side and James on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Jamestown Blue comparisons
See how Jamestown Blue stacks up against other well-photographed colors across different brands and tones.


Ammonite reflects far more light (LRV 69 vs 34), opening up a space where Jamestown Blue encloses it.


At LRV 83 vs 34, White Dove is decisively the brighter choice.


At LRV 34 vs 6, Jamestown Blue is decisively the brighter choice.


Purbeck Stone reflects far more light (LRV 52 vs 34), opening up a space where Jamestown Blue encloses it.


Jamestown Blue reads slightly lighter (LRV 34 vs 30), a gap that shows most in low-lit rooms.


At LRV 52 vs 34, Mizzle is decisively the brighter choice.


Agreeable Gray reflects far more light (LRV 60 vs 34), opening up a space where Jamestown Blue encloses it.


At LRV 58 vs 34, Accessible Beige is decisively the brighter choice.


A 7-point LRV gap (34 vs 27) makes Jamestown Blue the marginally brighter of the two.


French Gray reads slightly lighter (LRV 43 vs 34), a gap that shows most in low-lit rooms.


Jamestown Blue reflects far more light (LRV 34 vs 4), opening up a space where Naval encloses it.


At LRV 55 vs 34, Tranquil Dawn is decisively the brighter choice.


At LRV 34 vs 13, Jamestown Blue is decisively the brighter choice.


A 10-point LRV gap (44 vs 34) makes Hardwick White the marginally brighter of the two.


Pure White reflects far more light (LRV 84 vs 34), opening up a space where Jamestown Blue encloses it.


Jamestown Blue reflects far more light (LRV 34 vs 21), opening up a space where Artichoke encloses it.


At LRV 66 vs 34, Balboa Mist is decisively the brighter choice.


At LRV 74 vs 34, Shoji White is decisively the brighter choice.


At LRV 83 vs 34, Snowbound is decisively the brighter choice.


Pigeon reflects far more light (LRV 51 vs 34), opening up a space where Jamestown Blue encloses it.


At LRV 34 vs 12, Jamestown Blue is decisively the brighter choice.


At LRV 34 vs 8, Jamestown Blue is decisively the brighter choice.


At LRV 68 vs 34, Skimming Stone is decisively the brighter choice.


Dix Blue reads slightly lighter (LRV 41 vs 34), a gap that shows most in low-lit rooms.


At LRV 34 vs 12, Jamestown Blue is decisively the brighter choice.


A 12-point LRV gap (45 vs 34) makes Saybrook Sage the marginally brighter of the two.


With LRVs of 34 and 31, the two reflect almost the same amount of light.















