King's Red vs Ammonite
King's Red is a Benjamin Moore color while Ammonite comes from Farrow & Ball. King's Red reads as pink-red, while Ammonite reads as beige-greige — two distinct hue families, not close cousins. At LRV 69 vs 14, Ammonite will read as the brighter of the two — a 55-point gap that matters most in north-facing or low-light rooms. They share a warm quality — useful to know if you're layering them in the same space. At ΔE 62.8, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
King's Red vs Ammonite Simulated Comparison
5 simulated room previews — drag the slider on each to see King's Red on one side and Ammonite on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More King's Red comparisons
See how King's Red stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 14), opening up a space where King's Red encloses it.
King's Red reads slightly lighter (LRV 14 vs 6), a gap that shows most in low-lit rooms.
At LRV 52 vs 14, Purbeck Stone is decisively the brighter choice.
At LRV 30 vs 14, Evergreen Fog is decisively the brighter choice.
Mizzle reflects far more light (LRV 52 vs 14), opening up a space where King's Red encloses it.
At LRV 60 vs 14, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 14), opening up a space where King's Red encloses it.
Denim Drift reflects far more light (LRV 27 vs 14), opening up a space where King's Red encloses it.
At LRV 43 vs 14, French Gray is decisively the brighter choice.
A 10-point LRV gap (14 vs 4) makes King's Red the marginally brighter of the two.
Tranquil Dawn reflects far more light (LRV 55 vs 14), opening up a space where King's Red encloses it.
With LRVs of 14 and 13, the two reflect almost the same amount of light.
Hardwick White reflects far more light (LRV 44 vs 14), opening up a space where King's Red encloses it.
At LRV 84 vs 14, Pure White is decisively the brighter choice.
A 7-point LRV gap (21 vs 14) makes Artichoke the marginally brighter of the two.
Balboa Mist reflects far more light (LRV 66 vs 14), opening up a space where King's Red encloses it.
Shoji White reflects far more light (LRV 74 vs 14), opening up a space where King's Red encloses it.
Snowbound reflects far more light (LRV 83 vs 14), opening up a space where King's Red encloses it.
With LRVs of 14 and 12, the two reflect almost the same amount of light.
Skimming Stone reflects far more light (LRV 68 vs 14), opening up a space where King's Red encloses it.
At LRV 41 vs 14, Dix Blue is decisively the brighter choice.
At LRV 68 vs 14, Calamine is decisively the brighter choice.
A 11-point LRV gap (25 vs 14) makes Treron the marginally brighter of the two.
With LRVs of 14 and 12, the two reflect almost the same amount of light.
Saybrook Sage reflects far more light (LRV 45 vs 14), opening up a space where King's Red encloses it.
At LRV 31 vs 14, Pale Green is decisively the brighter choice.
A 7-point LRV gap (14 vs 7) makes King's Red the marginally brighter of the two.
A 10-point LRV gap (24 vs 14) makes Cement grey the marginally brighter of the two.
At LRV 57 vs 14, Guilford Green is decisively the brighter choice.
At LRV 72 vs 14, Just Walnut is decisively the brighter choice.