Lilac Pink vs RAL 510-3
Lilac Pink is a Benjamin Moore color while RAL 510-3 comes from RAL Effect. Lilac Pink reads as pink-purple, while RAL 510-3 reads as pink — two distinct hue families, not close cousins. At LRV 36 vs 32, RAL 510-3 will read as the brighter of the two — a 4-point gap that matters most in north-facing or low-light rooms. At ΔE 8.0, the difference is perceptible but not dramatic — the two can work harmoniously in the same space. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Lilac Pink vs RAL 510-3 Simulated Comparison
5 simulated room previews — drag the slider on each to see Lilac Pink on one side and RAL 510-3 on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Lilac Pink comparisons
See how Lilac Pink stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 32, White Dove is decisively the brighter choice.
Ammonite reflects far more light (LRV 69 vs 32), opening up a space where Lilac Pink encloses it.
At LRV 32 vs 6, Lilac Pink is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 32), opening up a space where Lilac Pink encloses it.
With LRVs of 32 and 30, the two reflect almost the same amount of light.
At LRV 52 vs 32, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 32), opening up a space where Lilac Pink encloses it.
At LRV 58 vs 32, Accessible Beige is decisively the brighter choice.
A 5-point LRV gap (32 vs 27) makes Lilac Pink the marginally brighter of the two.
French Gray reads slightly lighter (LRV 43 vs 32), a gap that shows most in low-lit rooms.
Lilac Pink reflects far more light (LRV 32 vs 4), opening up a space where Naval encloses it.
At LRV 55 vs 32, Tranquil Dawn is decisively the brighter choice.
At LRV 32 vs 13, Lilac Pink is decisively the brighter choice.
A 12-point LRV gap (44 vs 32) makes Hardwick White the marginally brighter of the two.
Pure White reflects far more light (LRV 84 vs 32), opening up a space where Lilac Pink encloses it.
Lilac Pink reads slightly lighter (LRV 32 vs 21), a gap that shows most in low-lit rooms.
At LRV 66 vs 32, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 32, Shoji White is decisively the brighter choice.
At LRV 83 vs 32, Snowbound is decisively the brighter choice.
At LRV 32 vs 12, Lilac Pink is decisively the brighter choice.
At LRV 68 vs 32, Skimming Stone is decisively the brighter choice.
Dix Blue reads slightly lighter (LRV 41 vs 32), a gap that shows most in low-lit rooms.
Calamine reflects far more light (LRV 68 vs 32), opening up a space where Lilac Pink encloses it.
Lilac Pink reads slightly lighter (LRV 32 vs 25), a gap that shows most in low-lit rooms.
At LRV 32 vs 12, Lilac Pink is decisively the brighter choice.
At LRV 45 vs 32, Saybrook Sage is decisively the brighter choice.
With LRVs of 32 and 31, the two reflect almost the same amount of light.
Lilac Pink reflects far more light (LRV 32 vs 7), opening up a space where Pine Needle encloses it.
Lilac Pink reads slightly lighter (LRV 32 vs 24), a gap that shows most in low-lit rooms.
Guilford Green reflects far more light (LRV 57 vs 32), opening up a space where Lilac Pink encloses it.