Manila vs Mizzle
Manila is a Benjamin Moore color while Mizzle comes from Farrow & Ball. Hue-wise, Manila belongs to the beige family and Mizzle to the grey family. At LRV 68 vs 52, Manila will read as the brighter of the two — a 17-point gap that matters most in north-facing or low-light rooms. The tonal difference — Manila's red character against Mizzle's warm — becomes most visible against white trim or in morning light. At ΔE 20.4, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Manila vs Mizzle Simulated Comparison
5 simulated room previews — drag the slider on each to see Manila on one side and Mizzle on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Manila comparisons
See how Manila stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 68, White Dove is decisively the brighter choice.
Manila reflects far more light (LRV 68 vs 52), opening up a space where Purbeck Stone encloses it.
Manila reflects far more light (LRV 68 vs 30), opening up a space where Evergreen Fog encloses it.
Manila reads slightly lighter (LRV 68 vs 60), a gap that shows most in low-lit rooms.
A 11-point LRV gap (68 vs 58) makes Manila the marginally brighter of the two.
At LRV 68 vs 27, Manila is decisively the brighter choice.
Manila reflects far more light (LRV 68 vs 43), opening up a space where French Gray encloses it.
At LRV 68 vs 55, Manila is decisively the brighter choice.
At LRV 68 vs 44, Manila is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 68), opening up a space where Manila encloses it.
Their light reflectance is nearly identical (LRV 68 vs 66), so neither reads brighter in a room.
A 6-point LRV gap (74 vs 68) makes Shoji White the marginally brighter of the two.
At LRV 68 vs 12, Manila is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 68 vs 68), so neither reads brighter in a room.
At LRV 68 vs 12, Manila is decisively the brighter choice.
At LRV 68 vs 45, Manila is decisively the brighter choice.
Manila reflects far more light (LRV 68 vs 31), opening up a space where Pale Green encloses it.
Manila reflects far more light (LRV 68 vs 7), opening up a space where Pine Needle encloses it.
Manila reflects far more light (LRV 68 vs 24), opening up a space where Cement grey encloses it.
Manila reads slightly lighter (LRV 68 vs 57), a gap that shows most in low-lit rooms.
Just Walnut reads slightly lighter (LRV 72 vs 68), a gap that shows most in low-lit rooms.