Martha's Vineyard vs Spring Rain
Both are Benjamin Moore colors. Hue-wise, Martha's Vineyard belongs to the green-grey family and Spring Rain to the blue family. At LRV 60 vs 12, Spring Rain will read as the brighter of the two — a 49-point gap that matters most in north-facing or low-light rooms. The tonal difference — Martha's Vineyard's green character against Spring Rain's blue — becomes most visible against white trim or in morning light. At ΔE 45.1, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Martha's Vineyard vs Spring Rain Simulated Comparison
5 simulated room previews — drag the slider on each to see Martha's Vineyard on one side and Spring Rain on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Martha's Vineyard comparisons
See how Martha's Vineyard stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 12), opening up a space where Martha's Vineyard encloses it.
At LRV 69 vs 12, Ammonite is decisively the brighter choice.
Martha's Vineyard reads slightly lighter (LRV 12 vs 6), a gap that shows most in low-lit rooms.
At LRV 52 vs 12, Purbeck Stone is decisively the brighter choice.
At LRV 30 vs 12, Evergreen Fog is decisively the brighter choice.
Mizzle reflects far more light (LRV 52 vs 12), opening up a space where Martha's Vineyard encloses it.
At LRV 60 vs 12, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 12), opening up a space where Martha's Vineyard encloses it.
Denim Drift reflects far more light (LRV 27 vs 12), opening up a space where Martha's Vineyard encloses it.
At LRV 43 vs 12, French Gray is decisively the brighter choice.
A 7-point LRV gap (12 vs 4) makes Martha's Vineyard the marginally brighter of the two.
Tranquil Dawn reflects far more light (LRV 55 vs 12), opening up a space where Martha's Vineyard encloses it.
With LRVs of 13 and 12, the two reflect almost the same amount of light.
Hardwick White reflects far more light (LRV 44 vs 12), opening up a space where Martha's Vineyard encloses it.
At LRV 84 vs 12, Pure White is decisively the brighter choice.
A 10-point LRV gap (21 vs 12) makes Artichoke the marginally brighter of the two.
Balboa Mist reflects far more light (LRV 66 vs 12), opening up a space where Martha's Vineyard encloses it.
Shoji White reflects far more light (LRV 74 vs 12), opening up a space where Martha's Vineyard encloses it.
Snowbound reflects far more light (LRV 83 vs 12), opening up a space where Martha's Vineyard encloses it.
With LRVs of 12 and 12, the two reflect almost the same amount of light.
Skimming Stone reflects far more light (LRV 68 vs 12), opening up a space where Martha's Vineyard encloses it.
At LRV 41 vs 12, Dix Blue is decisively the brighter choice.
At LRV 68 vs 12, Calamine is decisively the brighter choice.
At LRV 25 vs 12, Treron is decisively the brighter choice.
With LRVs of 12 and 12, the two reflect almost the same amount of light.
Saybrook Sage reflects far more light (LRV 45 vs 12), opening up a space where Martha's Vineyard encloses it.
At LRV 31 vs 12, Pale Green is decisively the brighter choice.
A 5-point LRV gap (12 vs 7) makes Martha's Vineyard the marginally brighter of the two.
At LRV 24 vs 12, Cement grey is decisively the brighter choice.
At LRV 57 vs 12, Guilford Green is decisively the brighter choice.