Mayonnaise vs Shoji White
Where Mayonnaise belongs to Benjamin Moore's range, Shoji White is a Sherwin-Williams color. Mayonnaise reads as beige-yellow, while Shoji White reads as beige-greige — two distinct hue families, not close cousins. Mayonnaise (LRV 88) reflects noticeably more light than Shoji White (LRV 74), a difference of 14 points that becomes especially apparent in rooms with limited natural light. Both lean warm, so they'll behave similarly in mixed or changing light conditions. The ΔE 7.7 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Mayonnaise vs Shoji White Simulated Comparison
5 simulated room previews — drag the slider on each to see Mayonnaise on one side and Shoji White on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Mayonnaise comparisons
See how Mayonnaise stacks up against other well-photographed colors across different brands and tones.

A 5-point LRV gap (88 vs 83) makes Mayonnaise the marginally brighter of the two.

Mayonnaise reflects far more light (LRV 88 vs 69), opening up a space where Ammonite encloses it.

At LRV 88 vs 6, Mayonnaise is decisively the brighter choice.

Mayonnaise reflects far more light (LRV 88 vs 52), opening up a space where Purbeck Stone encloses it.

Mayonnaise reflects far more light (LRV 88 vs 30), opening up a space where Evergreen Fog encloses it.

At LRV 88 vs 52, Mayonnaise is decisively the brighter choice.

Mayonnaise reflects far more light (LRV 88 vs 60), opening up a space where Agreeable Gray encloses it.

At LRV 88 vs 58, Mayonnaise is decisively the brighter choice.

At LRV 88 vs 27, Mayonnaise is decisively the brighter choice.

Mayonnaise reflects far more light (LRV 88 vs 43), opening up a space where French Gray encloses it.

Mayonnaise reflects far more light (LRV 88 vs 4), opening up a space where Naval encloses it.

At LRV 88 vs 55, Mayonnaise is decisively the brighter choice.

At LRV 88 vs 13, Mayonnaise is decisively the brighter choice.

At LRV 88 vs 44, Mayonnaise is decisively the brighter choice.

Mayonnaise reads slightly lighter (LRV 88 vs 84), a gap that shows most in low-lit rooms.

Mayonnaise reflects far more light (LRV 88 vs 21), opening up a space where Artichoke encloses it.

At LRV 88 vs 66, Mayonnaise is decisively the brighter choice.

A 5-point LRV gap (88 vs 83) makes Mayonnaise the marginally brighter of the two.

At LRV 88 vs 12, Mayonnaise is decisively the brighter choice.

At LRV 88 vs 68, Mayonnaise is decisively the brighter choice.

Mayonnaise reflects far more light (LRV 88 vs 41), opening up a space where Dix Blue encloses it.

Mayonnaise reflects far more light (LRV 88 vs 68), opening up a space where Calamine encloses it.

Mayonnaise reflects far more light (LRV 88 vs 25), opening up a space where Treron encloses it.

At LRV 88 vs 12, Mayonnaise is decisively the brighter choice.

At LRV 88 vs 45, Mayonnaise is decisively the brighter choice.

Mayonnaise reflects far more light (LRV 88 vs 31), opening up a space where Pale Green encloses it.

Mayonnaise reflects far more light (LRV 88 vs 7), opening up a space where Pine Needle encloses it.

Mayonnaise reflects far more light (LRV 88 vs 24), opening up a space where Cement grey encloses it.

Mayonnaise reflects far more light (LRV 88 vs 57), opening up a space where Guilford Green encloses it.

Mayonnaise reflects far more light (LRV 88 vs 72), opening up a space where Just Walnut encloses it.









