Midnight Blue vs RAL 110-1
Where Midnight Blue belongs to Benjamin Moore's range, RAL 110-1 is a RAL Effect color. Hue-wise, Midnight Blue belongs to the blue-grey family and RAL 110-1 to the white family. RAL 110-1 (LRV 80) reflects noticeably more light than Midnight Blue (LRV 8), a difference of 71 points that becomes especially apparent in rooms with limited natural light. With a ΔE of 58.8, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Midnight Blue vs RAL 110-1 in Real Spaces
2 real rooms side by side. Seeing Midnight Blue and RAL 110-1 in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
House
Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. RAL 110-1 reflects noticeably more light off the walls, making the space read more open than Midnight Blue.
Kitchen Cabinets
Kitchen cabinets are constantly compared against adjacent materials, which means subtle differences between these two become much more visible. RAL 110-1 reflects noticeably more light off the walls, making the space read more open than Midnight Blue.
Color Details
Midnight Blue vs RAL 110-1 Simulated Comparison
5 simulated room previews — drag the slider on each to see Midnight Blue on one side and RAL 110-1 on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Midnight Blue comparisons
See how Midnight Blue stacks up against other well-photographed colors across different brands and tones.
