Midnight Blue vs RAL 110-2
Midnight Blue (Benjamin Moore) and RAL 110-2 (RAL Effect) come from different manufacturers. Hue-wise, Midnight Blue belongs to the blue-grey family and RAL 110-2 to the greige-grey family. The 64-point LRV gap — 72 for RAL 110-2 vs 8 for Midnight Blue — means RAL 110-2 will open up a space more effectively. A ΔE of 55.6 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Midnight Blue vs RAL 110-2 in Real Spaces
2 real rooms side by side. Seeing Midnight Blue and RAL 110-2 in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
House
A full exterior is the most demanding test for a paint color — scale and outdoor light both amplify differences that seem small on a swatch. RAL 110-2 returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Kitchen Cabinets
Cabinet color is always seen in context — against countertops, backsplash, and hardware — which amplifies undertone differences that might disappear on a plain wall. RAL 110-2 returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Color Details
Midnight Blue vs RAL 110-2 Simulated Comparison
5 simulated room previews — drag the slider on each to see Midnight Blue on one side and RAL 110-2 on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Midnight Blue comparisons
See how Midnight Blue stacks up against other well-photographed colors across different brands and tones.
