Mink Violet vs Ammonite
Where Mink Violet belongs to Benjamin Moore's range, Ammonite is a Farrow & Ball color. Mink Violet reads as grey-purple, while Ammonite reads as beige-greige — two distinct hue families, not close cousins. Ammonite (LRV 69) reflects noticeably more light than Mink Violet (LRV 16), a difference of 53 points that becomes especially apparent in rooms with limited natural light. Both lean warm, so they'll behave similarly in mixed or changing light conditions. With a ΔE of 41.3, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Mink Violet vs Ammonite Simulated Comparison
5 simulated room previews — drag the slider on each to see Mink Violet on one side and Ammonite on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Mink Violet comparisons
See how Mink Violet stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 16), opening up a space where Mink Violet encloses it.
Mink Violet reads slightly lighter (LRV 16 vs 6), a gap that shows most in low-lit rooms.
At LRV 52 vs 16, Purbeck Stone is decisively the brighter choice.
At LRV 30 vs 16, Evergreen Fog is decisively the brighter choice.
Mizzle reflects far more light (LRV 52 vs 16), opening up a space where Mink Violet encloses it.
At LRV 60 vs 16, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 16), opening up a space where Mink Violet encloses it.
Denim Drift reads slightly lighter (LRV 27 vs 16), a gap that shows most in low-lit rooms.
At LRV 43 vs 16, French Gray is decisively the brighter choice.
A 11-point LRV gap (16 vs 4) makes Mink Violet the marginally brighter of the two.
Tranquil Dawn reflects far more light (LRV 55 vs 16), opening up a space where Mink Violet encloses it.
With LRVs of 16 and 13, the two reflect almost the same amount of light.
Hardwick White reflects far more light (LRV 44 vs 16), opening up a space where Mink Violet encloses it.
At LRV 84 vs 16, Pure White is decisively the brighter choice.
A 6-point LRV gap (21 vs 16) makes Artichoke the marginally brighter of the two.
Balboa Mist reflects far more light (LRV 66 vs 16), opening up a space where Mink Violet encloses it.
Shoji White reflects far more light (LRV 74 vs 16), opening up a space where Mink Violet encloses it.
Snowbound reflects far more light (LRV 83 vs 16), opening up a space where Mink Violet encloses it.
Mink Violet reads slightly lighter (LRV 16 vs 12), a gap that shows most in low-lit rooms.
Skimming Stone reflects far more light (LRV 68 vs 16), opening up a space where Mink Violet encloses it.
At LRV 41 vs 16, Dix Blue is decisively the brighter choice.
At LRV 68 vs 16, Calamine is decisively the brighter choice.
A 9-point LRV gap (25 vs 16) makes Treron the marginally brighter of the two.
Mink Violet reads slightly lighter (LRV 16 vs 12), a gap that shows most in low-lit rooms.
Saybrook Sage reflects far more light (LRV 45 vs 16), opening up a space where Mink Violet encloses it.
At LRV 31 vs 16, Pale Green is decisively the brighter choice.
A 9-point LRV gap (16 vs 7) makes Mink Violet the marginally brighter of the two.
A 8-point LRV gap (24 vs 16) makes Cement grey the marginally brighter of the two.
At LRV 57 vs 16, Guilford Green is decisively the brighter choice.
At LRV 72 vs 16, Just Walnut is decisively the brighter choice.